An original, not an adaptation
Guy Ritchie did not adapt The Gentlemen from anything. He wrote the original screenplay and directed the 2019 film as a standalone creation: the story of Mickey Pearson, an American drug baron selling off his high-end cannabis empire while rivals circle and secrets surface, came from no prior novel, comic, or play. That makes the franchise genuinely unusual. There is no source text to argue about, no faithful-versus-loose adaptation debate. What exists instead is a single creative vision Ritchie liked enough to revisit: a 2024 Netflix series set in the same criminal ecosystem, handing the lead to an entirely new cast while keeping the style, the class anxieties, and the violence intact.
The story spans exactly two screens. Beyond that, the world lives in the cultural conversation around it: the long tradition of British crime capers that Ritchie helped define with Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000), and which The Gentlemen both nods at and updates for a slicker, more self-aware era.
The Gentlemen across time
- 2019Film premieres (UK, Dec 2019; US wide release Jan 2020) The Gentlemen
- 2024Netflix series launches (March 2024) The Gentlemen
The definitive version: the 2019 film
Ritchie has never been tidier. The 2019 film runs at a controlled pace, the ensemble (Matthew McConaughey, Charlie Hunnam, Hugh Grant doing something genuinely unexpected with a seedy private investigator) all pull in the same direction, and the nested-narrative conceit earns its cleverness rather than showing off. It is the version with something to say about class performance and American money in British soil. The series is enjoyable television; the film is a complete thought.
The underrated one: the Netflix series
Critical reception treated the 2024 series as a pleasant but disposable spinoff, and that undersells it. Theo James carries the lead with real comic physicality, and the decision to transplant the premise onto an aristocratic family suddenly stuck with a weed empire gives the class-comedy engine new fuel. It is looser and more episodic than the film by design, and it leans into that rather than apologizing for it. If the film landed, the series is worth eight hours of your time.
If you love the film: sharp British crime capers
Slick ensemble crime with wit to spare
If you love the series: prestige crime TV with class and style
British crime drama that keeps its sense of humour
If you love the world: outsiders buying into established criminal orders
Crime about money, loyalty, and the cost of a seat at the table
More British Crime and Underworld
For Fans of Guy Ritchie
Explore the For Fans of Guy Ritchie guide →Ritchie built a world slick enough that audiences wanted to live in it longer than two hours. The series is the proof.CrossBinge editors


























