Cross-media recommendations across film, TV, games, books & music — picked by taste.
Bad Witch completes the arc Nine Inch Nails began with Not the Actual Events and Add Violence — three releases that together chart a descent into industrial abrasion and earned discomfort. The taste it signals is a hunger for art that refuses comfort: dark ritual and paranormal dread in film, worlds stripped of light in animated TV, and stories where music itself becomes a force tied to fate or doom. Across every medium, the thread is the same — darkness as substance, not decoration.
Bad Witch is the ninth studio album by the American industrial rock band Nine Inch Nails, released by The Null Corporation and Capitol Records on June 22, 2018. It is the last of a trilogy of releases, following their two previous EPs Not the Actual Events (2016) and Add Violence (2017). As with the previous releases in the trilogy, it was produced by Trent Reznor and Atticus Ross, making it the band's first studio album since 2007's Year Zero to not be co-produced by the long-time collaborator Alan Moulder, who is credited with mixing the album.
From the Wikipedia article Bad_Witch, available under CC BY-SA.
Film
A Dark Song
A woman and an occultist endure a gruelling, soul-risking ritual — obsession and darkness as the price of want.
Film
Bad Candy
Halloween mythology warps into grim paranormal horror through a framework of twisted local storytelling.
Film
Bad
Crime bleeds into grotesque comedy as ruthless people exploit one another without remorse or consequence.
Film
The Craft: Legacy
Teenage witches reach for power and find it comes with costs they didn't bargain for.
Film
Bad Boy Symphony
Young prisoners discover music as a force capable of reshaping lives from within confinement.
Book
Black metal
Playing a metal album backwards unlocks a grim destiny — music as occult key and curse.
Book
Without You
A popular band's creative peak collapses into depression and ruin — success shadowed by self-destruction.
Book
The good, the bad, and the undead
A witch navigating a paranormal underworld where music is one thread in a dark, layered mythology.
If you want the same tension between texture and dread, the book Black metal leans into music as a gateway to dark fate, and takt op.Destiny explores a world literally silenced by monsters — both sit in the same mood.
A Dark Song is the closest match — a slow, ritualistic descent where two people stake everything on a dangerous occult ceremony. It shares the same sense that darkness demands something real from you.
It closes a three-part series of releases with Not the Actual Events and Add Violence, giving it a sense of cumulative weight and finality — the feeling that something has been building and is now complete, which gives it a different emotional gravity than a standalone record.