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Ummagumma is a 1969 double album by Pink Floyd, released on 7 November via Harvest Records. The first disc documents live performances from concerts in Birmingham and Manchester; the second gives each band member a separate studio section to compose alone, making it simultaneously a live record and a collection of four individual works. The sleeve artwork, designed by Hipgnosis, combines photographs of the band to produce a Droste effect — an image that contains itself, repeating inward.

About Ummagumma

Ummagumma is a part-studio, part-live album by the English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records. The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at EMI Studios, counting as Pink Floyd's fourth studio album. The artwork was designed by regular Pink Floyd collaborators Hipgnosis and features a number of pictures of the band combined to give a Droste effect.

From the Wikipedia article Ummagumma, available under CC BY-SA.

Films like Ummagumma

Books to read after Ummagumma

Frequently asked

What should I listen to after Ummagumma?

If the live disc drew you in, Pink Floyd: Pulse documents a later full performance at Earls Court. If the experimental solo pieces are what hooked you, the band's individual and collective arc is traced in full in Echoes, the comprehensive career chronicle.

What films are like Ummagumma?

Pink Floyd: Live at Pompeii shares the same audience-free atmosphere — the band playing inside ancient ruins for the camera alone. Pink Floyd: The Wall extends the band's psychological edge into a feature film about a rock star's mental collapse.

Why is Ummagumma considered such an unusual album?

Its double-disc structure is split in two genuinely different things: one disc is live concert recordings; the other is four entirely separate solo compositions, one per band member. That refusal to be a single unified record is what makes it distinctive among rock releases of its era.

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