CrossBinge
Finding 41.241 movie posters in the basement

Akshay Kumar

Akshay Kumar is an actor, born 1967.

Akshay Kumar has made more than 150 films, which is less a statistic than a description of the man's working method. Born Akshay Hari Om Bhatia in New Delhi in 1967, he came up through Hindi action cinema in the 1990s, and the Khiladi run of thrillers stuck the nickname Khiladi Kumar to him permanently. He has since collected two National Film Awards and two Filmfare Awards, and the Government of India gave him the Padma Shri in 2009.

The turn that made him durable was comedy. Hera Pheri in 2000 cast him as Raju, a broke schemer whose plans collapse at exactly the wrong speed, and it revealed a performer whose timing is physical rather than verbal: the reaction shot, the double take, the whole body arriving a beat behind the joke. That gear powered a decade of farce, Garam Masala, Bhool Bhulaiyaa, Welcome, Singh Is Kinng, Bhagam Bhag, the Housefull sequence, and it is the version of him most audiences actually love.

From the mid 2010s he built a second brand out of true stories and civic causes: an evacuation in Airlift, a long con in Special 26, sanitation in Toilet: A Love Story, menstrual hygiene in Pad Man, a courtroom in Jolly LLB 2, a last stand in Kesari, a space programme in Mission Mangal. Some of these are genuinely good and some are the same film wearing a different uniform, and at his rate of production the difference is not always visible from the poster. He remains the most industrious major star in Hindi cinema and the least precious about it.

Movies (91)

TV (13)

Where to start with Akshay Kumar

Hera Pheri first, and it is not close. The 2000 comedy gave his timing its best material and has aged into something close to scripture for Hindi comedy audiences; Phir Hera Pheri is the louder sequel, worth it once you love the original.

For the serious register, Special 26 is the smartest thing he has done, a con story with real patience in it, and Airlift is the best of the true-story run because it keeps the heroism grounded in logistics. OMG: Oh My God! shows him at his most unusual, playing opposite the lead rather than carrying the film himself.

Then choose by appetite. Sooryavanshi is the modern action machine at full volume, Housefull is the farce franchise you either enjoy immediately or never will, and Pad Man is the message picture at its most representative: sincere, overlong, and rather better than its premise suggests.

Genres Akshay Kumar works in