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Aya Hisakawa

Aya Hisakawa is an actor, born 1968.

In 2018 Hisakawa inherited one of the most recognisable voices in Japanese animation, taking over Bulma in the Dragon Ball series from Hiromi Tsuru, who had played the character from the anime's 1986 debut until her death in 2017. It is the kind of succession that only goes to someone with thirty years of trust behind them.

She had spent those years inside other people's childhoods. Ami Mizuno, the studious member of the team, in Sailor Moon, across the series and the films. Kerberos in Cardcaptor Sakura, played broad and comic against her usual register. Rem Saverem in Trigun, Retsu Unohana in the Bleach films, the antagonist Priscilla in Claymore. She performs several of her roles in her native Kansai dialect, which in anime is an entire comic mode, and she deploys it deliberately rather than by default.

The range is wider than a magical-girl reputation suggests. She has played boys, most notably Yuki Sohma in the 2001 Fruits Basket and Miki Kaoru in the Revolutionary Girl Utena film. She has played mothers in Blue Spring Ride, TONIKAWA and Scum's Wish, Minamo Kurosawa in Azumanga Daioh, Storm in the Japanese X-Men anime, and small parts in Ocean Waves and Words Bubble Up Like Soda Pop. Her default instrument is cool, articulate and slightly clipped, which is why she keeps getting cast as the clever one, and why it registers so strongly on the occasions she drops it.

Movies (59)

TV (119)

Where to start with Aya Hisakawa

Most viewers outside Japan have met her twice without knowing it: Sailor Moon and Cardcaptor Sakura, two series that defined the magical-girl genre, in which she plays the cleverest member of the team and a small talking guardian respectively. Watch them in Japanese, since the dubs recast everything and the voice is the entire point here.

For the range, Fruits Basket is the surprise, a boy played without a trace of pantomime, and Claymore is by a wide margin the darkest thing she has done. TRIGUN hands her the show's conscience. If you want the current work, Dragon Ball Super: Broly is the best-looking introduction to her Bulma, and Words Bubble Up Like Soda Pop is a lovely small film with her in support.

The magical girls

The roles a generation grew up with. Sailor Mercury is the calm one in a very loud show, and Kero in Cardcaptor Sakura is the technical showcase, since she voices both the comic stuffed toy and its true form.

The genre work

The harder-edged half of the catalogue, generally as a woman with more authority than the plot initially admits. Trigun and Claymore are the two most people name, and the rest is steady action and fantasy work.

The dramatic and recent work

Where the range is widest. Sound! Euphonium gives her an adult with a whole history behind three lines, Haibane Renmei is the strangest thing here, and Ocean Waves is the Ghibli television film.

Genres Aya Hisakawa works in