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Barack Obama

Barack Obama is an actor, born 1961.

Everything on this page is Barack Obama appearing as himself. He was the 44th president of the United States, in office from 2009 to 2017, the first African American to hold the job, a Democratic senator for Illinois from 2005 to 2008 and a state senator before that. The screen credits are a byproduct of that, not a second career, and reading them as a filmography produces something more interesting than a filmography.

Most of the entries are archive footage, which means the list works as a map of what documentary makers were arguing about for two decades. Surveillance and the security state: Citizenfour, Zero Days, Terms and Conditions May Apply. Incarceration and race: 13th, The House I Live In. Climate: Before the Flood, An Inconvenient Sequel: Truth to Power. Money: Capitalism: A Love Story, Inequality for All, Dirty Money. Filmmakers on opposite sides of every one of those arguments cut the same podium footage to opposite conclusions, which is the honest lesson of the archive.

The deliberate appearances are a smaller and stranger set. He sat for Between Two Ferns with Zach Galifianakis, Comedians in Cars Getting Coffee, Running Wild with Bear Grylls and My Next Guest Needs No Introduction with David Letterman, and turned up in sports documentaries including The Last Dance and They Call Me Magic. He has won a Primetime Emmy for narration and two Grammy Awards for spoken word recordings, which is the part of this list where he is actually working rather than being quoted.

Movies (36)

TV (24)

Books (4)

Where to start with Barack Obama

The strongest films here are not about him. 13th uses his footage as one exhibit in an argument about the Thirteenth Amendment and mass incarceration, and it is the most rigorous piece of filmmaking on this page. Citizenfour is the other essential one, and it is instructive to watch a sitting president's public statements land inside a film made by the people he is talking about.

For him as a participant rather than a clip, Before the Flood has a real sit-down conversation in it, and The Last Dance shows the version of him that television likes best: relaxed, funny, talking about basketball.

The comedy is worth ten minutes of anyone's time. Between Two Ferns with Zach Galifianakis is genuinely hostile in the right way. HyperNormalisation and The Red Pill sit at opposite ends of every argument and reach for the same podium footage, which is bleakly instructive if you watch them close together.

Genres Barack Obama works in