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Bill Skarsgård

Bill Skarsgård is an actor, born 1990.

Bill Skarsgård started in Swedish film, in small character work and then leads in pictures like Simple Simon and Simon and the Oaks, before the English-language career turned him into a specialist in things that are not quite human. Media coverage settled on the phrase creature actor, and it stuck for a reason: Pennywise in It and It Chapter Two, then the prequel series It: Welcome to Derry, and Count Orlok in Nosferatu, are all performances given largely through prosthetics, posture and voice.

The trick is that he plays them from the inside. Pennywise is not a man in makeup doing a scary voice, he is a thing with a genuine, awful sense of humour, and the drifting eye and the childlike register are choices that make an audience feel condescended to rather than merely startled. He builds these parts out of physical rhythm, which is why they survive the prosthetics instead of hiding behind them. He has been nominated for a Satellite Award and a Berlinale Award, and the films he has appeared in have grossed over 3.3 billion dollars worldwide.

The interesting recent move is away from the mask. The Marquis in John Wick: Chapter 4 is a preening, thin-skinned villain played with Skarsgård's own face, and Willard Russell in The Devil All the Time is straight, wounded drama. Between those and the quieter work in Nine Days, there is an actor who could stop being cast as monsters whenever he decides to.

Movies (31)

TV (4)

Where to start with Bill Skarsgård

It is the obvious entry and still the best argument for him: a genuinely funny performance inside a genuinely frightening one. Watch it before the sequel, which gives him less to do.

For the range, go to John Wick: Chapter 4, where he plays a vain aristocrat with no makeup and no gimmick and is somehow just as unpleasant, and then Nosferatu, which is the most disciplined physical work he has done.

If you want the actor rather than the monster, The Devil All the Time and Nine Days are the two to pick, both quiet, both a long way from Derry. Barbarian is worth going into cold, and his first-act charm offensive is a very precise piece of work, all politeness pitched one degree too warm. IT: Welcome to Derry is for people who want more Pennywise; Boy Kills World is for people who want to see him swing hard at something silly.

The monsters

The work he is famous for and the work that gets least credit as acting. Pennywise and Count Orlok are both built under heavy prosthetics, and the performances live in the timing and the body rather than the face.

The Swedish films

Before Hollywood and occasionally since, playing ordinary young men with no makeup and no gimmick. Simon and the Oaks is the best of them and the fastest way to see that the creature roles are a choice rather than a ceiling.

The American genre work

Studio and mid-budget films where he is the interesting problem rather than the hero. John Wick Chapter 4 gives him a foppish villain he clearly enjoys, and Barbarian works because he is genuinely hard to read for the first half.

Genres Bill Skarsgård works in