Bruce Willis
Bruce Willis is an actor, born 1955.
Bruce Willis was born on an American base in West Germany in 1955, started out on the off-Broadway stage in the 1970s, and became famous on television with the detective comedy Moonlighting from 1985. He won a Primetime Emmy for it. Nobody at the time thought of him as an action lead, which is exactly why Die Hard worked in 1988: John McClane bleeds, panics, talks to himself and spends most of the film barefoot and losing.
That single choice reset a genre. The eighties action hero had been an unkillable slab of muscle; Willis played a tired New York cop who was frightened and sarcastic about being frightened, and most of the following decade borrowed the tone. His best performances sit in a narrow band of amused fatalism: the boxer in Pulp Fiction, the time-displaced prisoner in Twelve Monkeys, the cab driver in The Fifth Element, the child psychologist in The Sixth Sense who is the calmest man in a horror film.
Volume is the complicating factor. He appeared in over a hundred films, and a large number are interchangeable action pictures where he turns up for a few days and is visibly not engaged. That makes the good work harder to find rather than any less good. Away from film he released the album The Return of Bruno in 1987, made his Broadway debut in a stage version of Misery in 2015, and collected a Golden Globe and two Primetime Emmys across his career. He has since retired from acting.
Movies (131)
- Pulp Fiction (1994)
- The Fifth Element (1997)
- Die Hard (1988)
- Looper (2012)
- The Sixth Sense (1999)
- Tears of the Sun (2003)
- Split (2017)
- Armageddon (1998)
- G.I. Joe: Retaliation (2013)
- Over the Hedge (2006)
- Twelve Monkeys (1995)
- The Expendables 2 (2012)
- Die Hard: With a Vengeance (1995)
- Die Hard 2 (1990)
- Glass (2019)
- Sin City: A Dame to Kill For (2014)
- Live Free or Die Hard (2007)
- RED (2010)
- Sin City (2005)
- A Good Day to Die Hard (2013)
- Unbreakable (2000)
- The Jackal (1997)
- Color of Night (1994)
- Death Becomes Her (1992)
- RED 2 (2013)
- Death Wish (2018)
- The Lego Movie 2: The Second Part (2019)
- Lucky Number Slevin (2006)
- 16 Blocks (2006)
- Vendetta (2022)
TV (11)
- Late Show with David Letterman (1993)
- Late Night with David Letterman (1982)
- The Twilight Zone (1985)
- Moonlighting (1985)
- HBO First Look (1992)
- America's Game: The Super Bowl Champions (2006)
- James Cameron's Story of Science Fiction (2018)
- Between Two Ferns with Zach Galifianakis (2008)
- Bruno the Kid (1996)
- The Emmy Awards (1949)
- Dolly (1987)
Where to start with Bruce Willis
Die Hard is not merely the place to start, it is the entire argument. Watch how much of the performance is complaining, and how methodically the film removes things from him: shoes, radio, allies, confidence.
Pulp Fiction is the second stop, since the boxer segment is the best work he ever did with the least screen time. Twelve Monkeys shows him with the swagger switched off completely, playing a man who is confused and afraid for two hours, and it is the furthest against type he ever went.
The Fifth Element is pure charm inside an absurd film, Unbreakable is his slowest and most interior performance, and Moonrise Kingdom gives him a small, sad, decent policeman nobody would have cast him as in 1995. The Last Boy Scout is the guilty pleasure and has the best lines. Looper is the last genuinely good one.
Die Hard, and the sequels in descending order
The first film reset the genre by making the hero frightened, outmatched and barefoot on broken glass. With a Vengeance is the best of the sequels because it puts him with Samuel L. Jackson and lets both be tired. The later ones get progressively less interested in any of that.
The Shyamalan trilogy and the quiet Willis
Shyamalan understood something other directors missed: the stillness is more interesting than the smirk. The Sixth Sense is a grief film, Unbreakable is the best superhero origin made before the genre existed, and Split and Glass pay both off decades later.
The strange Willis films worth revisiting
Between the action pictures sits a run of genuinely odd choices. Twelve Monkeys is the best of them and possibly his best performance. The Fifth Element is a cartoon he plays completely straight, and Looper uses his weariness as the whole premise.