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CCH Pounder

CCH Pounder is an actor, born 1952.

Pounder has spent a long American career being the most credible person in the room. Born in Georgetown, in what was then British Guiana, she found her way into American television first, and television knew what to do with her: Dr. Angela Hicks on ER, Claudette Wyms across the whole run of The Shield, Irene Frederic on Warehouse 13, District Attorney Tyne Patterson on Sons of Anarchy, and Dr. Loretta Wade on NCIS: New Orleans for seven years. Four Primetime Emmy nominations came out of that, for The X-Files, ER, The Shield and The No. 1 Ladies' Detective Agency.

The specific skill is refusal. Pounder plays people who have already decided, and she lets you watch everyone else work that out. Claudette Wyms is the model: the one member of a corrupt squad who will not be talked around, played without a single raised voice. She uses stillness the way other actors use volume, and smart directors simply hold on her face and wait.

Her voice has had a career of its own. She has been Amanda Waller in DC animation since Justice League Unlimited, and the flat, unimpressed authority she brought there is now the default reading of the character. In film she is more often a fixed point in somebody else's genre exercise, whether that is Face/Off, Orphan or Godzilla: King of the Monsters. The exception, and the best of the film work, is Mo'at in the Avatar films, a role running since 2009 that asks her to be the spiritual authority of an invented culture without ever tipping into solemn nonsense.

Movies (33)

TV (19)

Where to start with CCH Pounder

The Shield is the entry point and it is not close. Claudette Wyms is a long argument with her own department, and Pounder plays her as the only person on the show who is never performing for anyone.

After that, the two obvious ones. Avatar and its sequels give Mo'at enough screen time to make an invented religion feel weighted rather than decorative, and Justice League Unlimited contains the Amanda Waller that every later version is measured against. For the film work, Bagdad Cafe is the early oddity worth chasing down, while Face/Off and Orphan show what she does with a small part in a loud picture, which is to hold the frame still while everyone else escalates. 3 Body Problem is the recent one. Do not skip anything on the basis of the film's reputation; she is rarely the weak link in it.

The Shield and the dramas

Claudette Wyms is the great performance, seven seasons of a detective whose integrity costs her nearly everything, and it should have won awards it did not. The television since has mostly cast her as the authority in the room.

Avatar and the franchises

Mo'at will outlast everything else in the filmography, which is what happens when you join the highest-grossing film series ever made. The other franchise work is smaller and she is reliably the most convincing person in it.

The voice work and the early films

She is the definitive Amanda Waller across a decade of DC animation, and the voice does exactly what it does on camera. Bagdad Cafe is the strange early film worth finding and nothing else in the career resembles it.

Genres CCH Pounder works in