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Celia Weston

Celia Weston is an actor, born 1951.

Celia Weston was born in Spartanburg, South Carolina in 1951, and her first sustained job was a sitcom: Jolene Hunnicutt, the waitress she played on Alice through the first half of the eighties. That could easily have been the entire career. Instead she became one of the most-used character actresses in American film, with supporting parts in more than forty of them.

Her instrument is a Southern voice and the courtesy that comes with it, and she uses it two ways. In one mode the manners are real and the warmth underneath is the point, as in Junebug, where the kindness she plays is the only functioning thing in the household. In the other the politeness is the weapon, delivered with a smile that nobody in the scene can object to without looking rude. Mona Lauder in Far from Heaven is the sharpest example of that.

The dramatic work is where the range shows. She was nominated for an Independent Spirit Award for Dead Man Walking, and In the Bedroom, The Talented Mr. Ripley and Snow Falling on Cedars all use her for grief or grievance rather than comedy.

She is still working, mostly in comedies now, from Modern Family and Vice Principals through to recent studio films. It is a career of more than forty years built almost entirely out of other people's mothers, aunts and neighbours, and she has never once phoned one in.

Movies (39)

TV (9)

Where to start with Celia Weston

Junebug before anything else. It is a small film about an outsider visiting a North Carolina family, and Weston is its emotional engine without ever appearing to try. If you watch one thing on this page, watch that.

In the Bedroom and Dead Man Walking are the dramatic pair, both about grief handled badly by people who cannot say so, and the second brought her an Independent Spirit nomination.

Far from Heaven is the most enjoyable version of her other setting, poison delivered with impeccable manners, and The Talented Mr. Ripley does something similar in fewer scenes.

For the comedy, Observe and Report is the strangest thing on her filmography and she is completely committed to it, Vice Principals gives her a proper sitcom part again, and The Village is the one where the accent is doing period work rather than regional work.

Genres Celia Weston works in