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Christina Pickles

Christina Pickles is an actor, born 1935.

Five Emmy nominations came out of a single role, and for a long time none of them turned into anything. The role was Nurse Helen Rosenthal on St. Elsewhere, which Pickles played from 1982, and the nominations were all in the same supporting-actress drama category. That is a specific kind of career: the person the industry keeps agreeing is excellent without quite handing anything over.

What she does is play authority that has softened without weakening. Rosenthal is the senior nurse who has already seen whatever the doctors are about to discover. Judy Geller on Friends is the same instrument tuned for comedy: a mother whose approval always arrives wrapped around a criticism, delivered so pleasantly that the sting only registers a beat later. That performance got her another Emmy nomination in 1995, for guest actress in a comedy.

An English actress who made her career almost entirely in American television, she has spent the film half of it playing the mothers of more famous people. Caroline Montague in Romeo + Juliet. Isabel Ludlow in Legends of the Fall. Angie Sullivan in The Wedding Singer. Mother Rearden in Atlas Shrugged: Part I. She has taken the stranger jobs without visible embarrassment too: the Sorceress in the 1987 Masters of the Universe, a voice in a Land Before Time sequel.

An Emmy did eventually arrive, decades later and in the short-form category, which is a very Christina Pickles way to win one. She was still working in her eighties as Gram on Great News, and turned up for the Friends reunion in 2021.

Movies (12)

TV (9)

Where to start with Christina Pickles

St. Elsewhere is the real body of work and the hardest of these to track down. It took the hospital drama seriously years before the shows people usually credit for it, and Rosenthal is the reason to watch her in it: the nurse holding the floor together while the doctors have their crises.

If that is too much of a commitment, Friends is the shortcut. Judy Geller appears rarely enough that each appearance registers as an event, and Pickles plays her as a woman who has decided her daughter's life is a project she is entitled to manage. Legends of the Fall and Romeo + Juliet use the same poise straight and in period, while The Wedding Singer gives her one warm scene and she makes it count. Great News is the late comic turn. Leave Atlas Shrugged: Part I to completists, and treat Masters of the Universe as the curio it is.

Genres Christina Pickles works in