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Clive Cussler

Cussler ran two careers at once and refused to keep them apart. In one he wrote adventure novels, starting in 1965 and finding his lead in 1973 with Dirk Pitt, a marine engineer employed by a government ocean agency who keeps discovering things at the bottom of the sea. In the other he went looking for actual shipwrecks, founding and chairing the National Underwater and Marine Agency, which has located more than sixty wreck sites. He named the fictional agency first and then built the real one to match it.

The novels are pulp of a very sturdy kind. There is a lost object, a rich lunatic with a plan, a set piece involving deep water and heavy machinery, and a hero whose competence is never in doubt. Nobody reads them for the sentences. What Cussler had was a genuinely rare commodity, salvage and marine engineering knowledge deployed as plot, so the raising of a wreck or the flooding of a compartment carries a specific weight the villains never do. He also wrote himself into his own books as a walk-on character named Clive Cussler, a joke he never dropped, and he turns up in exactly that spirit in the credits here, as an uncredited bearded reporter in the film of Raise the Titanic.

He died in 2020 as the sole or main author of more than eighty books, by which point most of the output was co-written across several parallel series.

Movies (1)

Books (22)

Where to start with Clive Cussler

Raise the Titanic! is the one that made him and it still works as an introduction: a ludicrous premise executed with total commitment, plus an unusual quantity of real salvage engineering. Start there rather than at the beginning, because The Mediterranean Caper and Iceberg are earlier, thinner, and mostly of interest once you already like him.

Sahara is peak Dirk Pitt and the best pure entertainment in this list, and Cyclops is the one where the plotting goes gloriously off the rails.

The later franchises are a different product, assembled with co-authors and noticeably smoother: Serpent opens the NUMA Files, The Striker belongs to a period detective series, and Lost Empire to the treasure-hunting husband and wife. All competent. None of them sound like him.

The Dirk Pitt novels

The main sequence, and the seventies and eighties books are the ones that hold up. Raise the Titanic is the famous one, but The Mediterranean Caper and Iceberg are leaner and considerably better paced than the doorstops that came later.

The mid-career adventures

The peak commercial period, when every book opened with a historical prologue and then jumped to the present day. Sahara is the best of them and the one that got a film. Inca Gold is the most enjoyable of the rest.

The spin-off series

From the late nineties Cussler franchised himself, launching the NUMA Files, the Oregon Files and the Fargo books with co-authors. They are competent adventure novels and none of them sound very much like him.

Genres Clive Cussler works in