Eijirō Tōno
Eijirō Tōno is an actor, born 1907.
Tono (1907 to 1994) worked for more than fifty years and appeared, by Wikipedia's count, in nearly 250 films and over 400 television programmes. The earliest credit listed here is from 1944 and the last from 1990. In his early years he acted under the name Katsuji Honjo.
Western audiences know him as the face Kurosawa and Ozu reached for when a scene needed an ordinary man. In Seven Samurai (1954) he is the kidnapper in the barn, the small desperate criminal whose standoff early in the film sets up everything it goes on to argue about what a samurai is for. In Yojimbo (1961) he is Gonji the tavern keeper, the only man in town with any sense, scolding a hero who will not listen. In Tokyo Story (1953) he is Numata, an old friend drinking through an evening of quiet disappointment about his own children, and Ozu came back to him for Early Spring (1956), Good Morning (1959) and An Autumn Afternoon (1962), where he is Sakuma, the former teacher nicknamed the Gourd.
The range runs wider than those two names suggest: Kobayashi's The Human Condition (1959), Imamura's Pigs and Battleships (1961), Shinoda's Pale Flower (1964), Okamoto's Kill! (1968), entries in the Zatoichi and Miyamoto Musashi series, and Admiral Nagumo in Tora! Tora! Tora! (1970). In Japan his most famous job was television, as the title character in the long-running jidaigeki series Mito Komon, which is not among the credits listed here. His last film credit here is Juzo Itami's Tales of a Golden Geisha (1990).
Movies (100)
- Seven Samurai (1954)
- High and Low (1963)
- Tokyo Story (1953)
- Yojimbo (1961)
- The Legend of the White Serpent (1956)
- Red Beard (1965)
- Tora! Tora! Tora! (1970)
- The Happy-Go-Lucky Guy (1961)
- Good Morning (1959)
- Stray Dog (1949)
- Horus: Prince of the Sun (1968)
- The Orphan Brother (1961)
- Samurai Assassin (1965)
- Pigs and Battleships (1961)
- I Live in Fear (1955)
- The Ballad of Narayama (1958)
- The Human Condition I: No Greater Love (1959)
- The Lower Depths (1957)
- Samurai II: Duel at Ichijoji Temple (1955)
- Kill! (1968)
- Early Spring (1956)
- Goyokin (1969)
- An Autumn Afternoon (1962)
- Bushido: The Cruel Code of the Samurai (1963)
- Akitsu Hot Springs (1962)
- Island of Hell (1977)
- Untamed Woman (1957)
- Pale Flower (1964)
- The Great White Tower (1966)
- A House in the Quarter (1963)
Where to start with Eijirō Tōno
The best introduction is Yojimbo, which gives him the largest of his famous supporting parts: Gonji the tavern keeper spends the film complaining at a man who ignores him, and most of the comedy runs through that. Then Seven Samurai, for the early hostage standoff he sits at the centre of. For the other half of the career, Tokyo Story and An Autumn Afternoon show what Ozu wanted from him, a man at a table several drinks in, telling the truth by accident. High and Low is a small part in a great film if you want to spot him. And if you would rather see him outside the canon, Pale Flower and Kill! are the stylish ones, both better than their reputations abroad.