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Elisha Cuthbert

Elisha Cuthbert is an actor, born 1982.

Cuthbert was a working performer in Canada as a child, an extra on Are You Afraid of the Dark? and then a co-host of Popular Mechanics for Kids, which is a strange apprenticeship and a useful one: presenting teaches you to be watchable while nothing much is happening. Her first lead came in Airspeed in 1998, and Lucky Girl in 2001 brought her a Gemini.

Then 24 arrived and handed her a role she could not entirely win. Kim Bauer was written as the thing that goes wrong in her father's day, and the early seasons in particular treated her as a plot device with legs. The internet has been unkind about it ever since, mostly to the show's account rather than hers. What she did next was shrewd: The Girl Next Door and House of Wax made her a genuine teen-movie draw, and Old School had already shown she could land a joke.

Horror took a chunk of the middle years, Captivity most notoriously, and then the real turn came on television again. Alex Kerkovich in Happy Endings reframes the whole career, a broad, silly, fully committed comic performance in one of the best-liked American sitcoms of its decade, and nothing about it resembles the actor from 24. Since then she has worked at her own pace: The Ranch, the Irish horror The Cellar, the crime picture Bandit, the true-crime drama Monster in the Family.

Movies (16)

TV (11)

Where to start with Elisha Cuthbert

Happy Endings is where to start, and I would argue about it: the show is one of the fastest American sitcoms of the 2010s, and playing its dimmest character with that much precision is far harder than it looks.

For the star-making run, The Girl Next Door is the better film and House of Wax the more entertaining one, a slasher entirely at peace with what it is. Old School is three scenes and a good punchline.

24 is the commitment: long, uneven, genuinely propulsive thriller television in which her storylines are the ones people complain about, and she is not the reason. The Ranch and The Cellar cover the later work, the first comfortable, the second a nasty little Irish horror film that deserved more attention than it got.

Genres Elisha Cuthbert works in