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Geoffrey Bayldon

Geoffrey Bayldon is an actor, born 1924.

Geoffrey Bayldon spent years on stage, a great deal of it in Shakespeare, before television found the thing it wanted from him: a face that could read as ancient and mischievous at the same time. Born in Leeds in 1924, he died in 2017, and two parts outlived nearly everything else he did. He played the title role in Catweazle, a children's series about a medieval wizard stranded in modern England, and the Crowman in Worzel Gummidge. British children of two separate decades grew up slightly afraid of him.

The film work is a different catalogue and a much odder one. He was a fixture of British horror at its portmanteau peak, appearing in Tales from the Crypt, The House That Dripped Blood, Asylum and The Monster Club, with Frankenstein Must Be Destroyed and a small uncredited part in the 1958 Dracula alongside them. He is the wireless operator in A Night to Remember, still the most restrained Titanic film anyone has made, and Theo Weston in To Sir, with Love.

Then there is Casino Royale, the 1967 spoof, in which he plays Q. He therefore played a Bond character without ever appearing in a Bond film proper, which is a fittingly sideways credential for a career built on being almost, but never quite, the lead. He was still taking film parts in the 2000s, Ladies in Lavender among the last of them.

Movies (25)

TV (13)

Where to start with Geoffrey Bayldon

Everything starts with Catweazle. It is a children's fantasy carried almost entirely by one performance, and it holds up considerably better than its budget suggests, which is the whole argument for him as an actor.

For the horror, Asylum is the best-constructed of the Amicus anthologies he turns up in, The House That Dripped Blood the most purely enjoyable, and Tales from the Crypt the most famous. Frankenstein Must Be Destroyed is the Hammer entry and the nastiest thing on the page.

Outside genre, A Night to Remember is the great one, a disaster film made with a restraint nobody has managed since, and the wireless-room material is among its best. To Sir, with Love was the biggest hit, and Casino Royale is chaos, worth it purely as an artefact. The Storyteller and Scrooge fill in the fairy-tale side, and Worzel Gummidge is the other half of the children's legacy.

Genres Geoffrey Bayldon works in