Hugh Griffith
Griffith was a Welsh character player, and character player is too polite a description of what he actually did, which was arrive in a film like weather. The BFI's Screenonline calls him a wild-eyed, formidable character player. He ran that register for more than forty years across upwards of a hundred stage, film and television productions.
The screen work here opens with a part in Night Train to Munich in 1940 and a small, delicious turn as the Lord High Steward in Kind Hearts and Coronets nine years later. Then Ben-Hur in 1959 gave him the sheikh and an Academy Award for Best Supporting Actor, in a picture where hardly anybody else was permitted to have any fun. Four years after that, Tom Jones brought a second Oscar nomination for Squire Western: roaring, sozzled, entirely alive, and probably the performance to remember him by.
After that the pattern is the one that catches every great character actor, which is that everybody wants one scene of it. He is Charles Bonnet in How to Steal a Million, King Louis in Start the Revolution Without Me, Mandria in Exodus, the Magistrate in Oliver!, Alexander Smith in Mutiny on the Bounty, a rabbi in The Abominable Dr. Phibes, Dr. Kenneth in Wuthering Heights, Sir January in The Canterbury Tales, the Caliph in Casanova & Co. The films get stranger and more European as the 1970s wear on and the parts get shorter, but he is never lazy in any of them. He was a cameo actor with a leading man's appetite.
Movies (20)
- Ben-Hur (1959)
- The Million Pound Note (1954)
- Kind Hearts and Coronets (1949)
- Exodus (1960)
- Oliver! (1968)
- Mutiny on the Bounty (1962)
- How to Steal a Million (1966)
- The Canterbury Tales (1972)
- Wuthering Heights (1970)
- Tom Jones (1963)
- The Last Remake of Beau Geste (1977)
- What? (1972)
- High School Girl (1974)
- The Counterfeit Traitor (1962)
- The Abominable Dr. Phibes (1971)
- Start the Revolution Without Me (1970)
- Casanova & Co. (1977)
- On My Way to the Crusades, I Met a Girl Who... (1967)
- Night Train to Munich (1940)
- The Fixer (1968)
TV (1)
Where to start with Hugh Griffith
Tom Jones first. Squire Western is the fullest version of him: loud, drunk, generous, and completely at home in a comedy that is running at his speed rather than making him keep up.
Then Ben-Hur for the Oscar-winning work, which is a far more relaxed and playful performance than the film around it, and Kind Hearts and Coronets for the young Griffith in one of the sharpest British comedies ever made, even in a small part.
For the later cameos, How to Steal a Million gives him a forger with real charm, Oliver! and Start the Revolution Without Me are the broad crowd-pleasers, and The Abominable Dr. Phibes is the horror curiosity. The Canterbury Tales is where the 1970s European period gets genuinely odd, and is best approached once you already like him.