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Iain Glen

Iain Glen is an actor, born 1961.

Iain Alan Sutherland Glen was born in Edinburgh in 1961 and began where serious British actors begin, with theatre and prestige film. In 1990 alone he played the explorer John Hanning Speke in Mountains of the Moon and took the lead in Silent Scream, which won him the Silver Bear for Best Actor at the Berlin Film Festival. He was, at thirty, exactly the sort of actor the industry files under future knighthood.

That is not how it went, and it worked out better. Glen turned out to be the man you cast when a character has to be loyal past the point of self-respect and still keep his dignity. Jorah Mormont carried that across eight seasons of Game of Thrones, a man repeatedly sent away by the person he has organised his life around, coming back each time without ever asking to be pitied. He carries the same restraint into Alfred Roberts in The Iron Lady, a father seen almost entirely through his daughter's memory, and into his Hamlet in Rosencrantz and Guildenstern Are Dead, played from the edges of somebody else's story.

He has also spent thirty years cheerfully doing genre work without condescending to it, and the schlock is often where he is most fun: Manfred Powell in Lara Croft: Tomb Raider, Dr. Isaacs across three Resident Evil films, Richard the Lionheart in Kingdom of Heaven. Lately the television has been better than that. He carried Jack Taylor for six years, played Bruce Wayne on Titans, Magnus MacMillan on The Rig, and Dr. Pete Nichols on Silo.

Movies (38)

TV (18)

Where to start with Iain Glen

Game of Thrones is the door most people come through and there is no point pretending otherwise. Jorah is a decade-long study in unrequited loyalty, and Glen never once plays it for sympathy, which is exactly why it works.

The best recent argument for him is Silo, where he plays a doctor holding a compromised position with total calm. Pair it with Jack Taylor if you want him carrying something alone: a battered Galway detective, cheap production, very good lead performance.

For the early prestige, Mountains of the Moon and Rosencrantz & Guildenstern Are Dead. For the other side of the ledger, Resident Evil: Apocalypse and Lara Croft: Tomb Raider, where he is having far more fun than the material deserves, and Kingdom of Heaven for a single scene of real authority.

Genres Iain Glen works in