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Jack Angel

Jack Angel is an actor, born 1930.

Jack Angel was a California radio man first, a disc jockey at KMPC and KFI, and the training is audible in everything he did afterwards: clean diction, instant changes of register, a voice built for a microphone rather than a stage. He moved into voice work and landed in the middle of the 1980s toy-cartoon boom, where the economics required one actor to play several characters in a single episode. He was Ultra Magnus and Cyclonus on The Transformers, Astrotrain in the 1986 film, and a regular presence across Super Friends and G.I. Joe.

The second act was Disney and Pixar, where he became one of a small pool of performers who turn up in the crowd of nearly every animated feature for twenty-five years. The Little Mermaid, Beauty and the Beast, Aladdin, Hercules, Tarzan, A Bug's Life, Monsters, Inc.: usually uncredited, usually a villager or a background shout, always there.

Two roles stand clear of that anonymous mass. He was the shark in Toy Story, the one who pops up wearing Woody's hat, a joke lasting four seconds that everybody remembers thirty years on. And he was Teddy in A.I. Artificial Intelligence, a small, patient, worried voice coming out of a mechanical bear, which is the only performance in his filmography asked to carry real feeling, and it does. He kept working into his eighties and died in 2021, having spent forty years being heard by nearly everyone and recognised by nearly no one.

Movies (42)

TV (24)

Where to start with Jack Angel

Toy Story is the place to start, partly because the shark gag is his most famous four seconds and partly because it opened a twenty-year Pixar run that reached Toy Story 3 and Monsters University.

The performance to actually seek out is A.I. Artificial Intelligence, where he voices Teddy. It is the one time a film gave him something to play rather than a crowd to fill, and the most affecting relationship in the picture runs entirely through that voice.

For the eighties material, The Transformers: The Movie is the concentrated dose, loud and strange and much harsher than the series around it. Beetlejuice holds a small oddity of a part, and Balto is the one for hearing him carry a supporting character straight, with no joke attached.

The eighties toy cartoons

The era he is most identifiable in. These shows were half-hour toy advertisements with astonishing voice casts, and Angel was in most of them. The 1986 Transformers film is the one worth watching now, mostly because it is far bleaker than the series it came from.

The animated features worth revisiting

The non-Disney animation of the eighties and nineties, where he did steady character work. The Iron Giant is the masterpiece of this list by a wide margin, and The Brave Little Toaster is far stranger and sadder than its title suggests to anyone who has not seen it.

The Pixar and Disney ensembles

Three decades as one of the anonymous voices filling out crowds and incidental roles in Disney and Pixar features. It is deliberately invisible work, and it accounts for a large share of his several hundred screen credits.

Genres Jack Angel works in