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James Cosmo

James Cosmo is an actor, born 1948.

Cosmo, born James Copeland in Clydebank, has been the grizzled elder of British and American genre film for four decades. Highlander in 1986, Campbell in Braveheart, Renton's father in Trainspotting and the same man again twenty years later in T2, Glaucus in Troy, Father Christmas in the first Narnia film, Field Marshal Haig in Wonder Woman: he is who a production hires when a scene needs weight standing in the corner of the frame.

The trick is authority without volume. He plays men who have already accepted what things cost, which is why he is so effective in command roles. Jeor Mormont on Game of Thrones is the clearest case, an old soldier running an institution he knows is failing and running it anyway. Farder Coram in His Dark Materials and Luka Gocharov in Jack Ryan are variations on the same steadiness, and Father Kellan Ashby on Sons of Anarchy is the same thing with a collar on.

The filmography is enormous and genuinely eclectic, from Battle of Britain in 1969 through Outlaw King, The Last Legion and Ben-Hur to small Irish and Scottish horror pictures such as The Hole in the Ground. There is no great reinvention story here and he does not appear to want one. He is a supporting actor by trade, he has been working steadily since the sixties, and the sheer length of the run is the argument.

Movies (50)

TV (14)

Where to start with James Cosmo

Braveheart is where most people met him and it is still a fair introduction: Campbell is the older soldier who makes the rebellion look like it has a memory attached to it.

For the best use of what he does, Trainspotting is the one. He has perhaps ten minutes as Renton's father and every second of it is the weight the film needs against all that energy, and he comes back for T2 Trainspotting twenty years on to show what the intervening decades did. The fantasy shelf is where he is best known now: His Dark Materials gives him the warmest role of his late career, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe has him arriving armed, and Highlander is the cult one. Outlaw King and Troy are the historical epics, and The Hole in the Ground is the small horror film worth finding.

The Scottish epics

Scotland has cast him in most of the films it has made about itself. Braveheart and Highlander are the ones people know, Outlaw King is the recent one, and Get Duked is the comedy where he finally gets to be funny.

The fantasy and the franchises

The genre work, where the beard and the voice do a great deal of the casting. Farder Coram in His Dark Materials is the warmest and best of them, and Father Christmas in Narnia is exactly the right person for the job.

The recent television and horror

The current run, mostly television and small horror films. Jack Ryan gave him a Russian intelligence officer with a whole history behind the eyes, and The Name of the Rose is the prestige European adaptation.

Genres James Cosmo works in