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Jason Reitman

Jason R. Reitman is a Canadian and American filmmaker and the son of director Ivan Reitman, a fact his early filmography states plainly: he shows up as a kid in his father's pictures, a grandson in Twins (1988), a boy in a brownstone in Ghostbusters II (1989), the wrong kid in an alley in Fathers' Day (1997). He has since collected four Academy Award nominations, two of them for Best Director, plus Golden Globe and Grammy recognition.

What he is unusually good at is comedy built on competence at something unattractive. Thank You for Smoking (2005) is carried by a tobacco lobbyist who is genuinely excellent at his job. Up in the Air (2009) follows a man whose profession is firing strangers, and treats his expertise with something close to admiration before it takes the floor out. Juno (2007), written by Diablo Cody, works the same trick in reverse: a teenager whose armour is being funnier than the situation. When that register slips, his films get sentimental fast, which is what separates the good ones from the misfires.

Young Adult (2011) is the meanest thing he has made and probably the best, a portrait of arrested adolescence that refuses to redeem anybody. The middle stretch went badly wrong with Labor Day (2013) and Men, Women & Children (2014), both of them earnest in a way his talent does not support. Tully (2018) put him back with Cody and back in form, The Front Runner (2018) followed the same year, and he then took over the family business with Ghostbusters: Afterlife (2021) before making Saturday Night (2024). He has a hand in the television comedy Casual (2015) as well. Gil Kenan and Cody remain his repeat collaborators.

Movies (16)

TV (2)

Where to start with Jason Reitman

Up in the Air first, and not because it is the most decorated. It is the film where his instinct for people who are good at bad jobs meets an actual argument about work, and its last twenty minutes have the nerve to withhold the comfort the genre owes you.

Follow it with Thank You for Smoking, the sharpest and funniest thing he has directed, then Juno if you want the Cody partnership at its most quotable and Young Adult if you want it at its most ruthless. Young Adult is the one that has aged best.

Tully is the late-career reminder that the partnership still works. Skip Labor Day unless you are curious what happens when he plays a melodrama completely straight. Ghostbusters: Afterlife and Saturday Night are the legacy projects, made with obvious affection, and enjoyable in exact proportion to how much you already care about the source.

Genres Jason Reitman works in