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Jeff Bennett

Jeff Bennett is an actor, born 1962.

You have heard Jeff Bennett hundreds of times without ever seeing his face. He is the voice of Johnny Bravo, which he built out of an Elvis Presley impression, and of Petrie in the Land Before Time films, Brooklyn in Gargoyles, Peter Puppy in Earthworm Jim, Ace and Grubber and Big Billy in The Powerpuff Girls, the father in Dexter's Laboratory, Clank in the Tinker Bell films, the Man with the Yellow Hat in Curious George, and Kowalski in the Penguins of Madagascar. He won an Annie Award in 2012 for the last of those and an Emmy in 2016 for his Transformers work.

The skill is range plus reliability. A casting director hiring Bennett is buying four or five distinct characters out of one session, which is why his credit list runs to hundreds of titles and why so much of it reads as additional voices, incidental characters and one-scene parts. He can do broad cartoon bluster, a warm dad, a nervous sidekick and a straight villain, and he pitches each of them at the age of the audience rather than at his own vanity.

A large slice of his filmography sits in the direct-to-video Disney sequels of the late nineties and 2000s, work that is easy to sneer at and that kept an entire generation of voice actors employed. The better showcases are the television series, where writers had room to give his characters personalities instead of functions.

Movies (138)

TV (150)

Where to start with Jeff Bennett

Television is where to hear him properly. The Powerpuff Girls hands him three of its funniest recurring characters, and Batman: The Animated Series proves he can do menace in a show that took its villains seriously.

Gravity Falls and Regular Show are the modern picks, both packed with incidental voices he makes memorable in a line or two, and The Legend of Korra uses him as a broadcaster whose delivery does a surprising amount of the world-building.

On film, Looney Tunes: Back in Action is the deep end, since handling Yosemite Sam and Foghorn Leghorn means competing directly with Mel Blanc, and he comes out of it fine. Enchanted is the mainstream entry, and Tinker Bell is where a lot of parents already know him from without realising it.

The Disney sequels Bennett quietly holds together

Direct-to-video Disney was an industry of its own through the nineties, and he is in most of it, usually replacing a departed star and matching them closely enough that children never noticed. The films are uneven and the voice work almost never is.

The prestige animation credit

Batman: The Animated Series is the serious end of his work and the one that shows restraint, in a career mostly built on volume. Frankenweenie and James and the Giant Peach are the other stylised films where he plays it straight.

The modern shows still calling him

Three decades in, he is still on the call sheet for the good ones. Gravity Falls uses him for small-town texture, Regular Show lets him be genuinely strange, and Korra wants him straight and dramatic. An unusual second act for a shouting cartoon hero.

Genres Jeff Bennett works in