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Jeremy Sisto

Jeremy Sisto is an actor, born 1974.

Jeremy Sisto arrived in Clueless (1995) as Elton, the rich boy who interprets a lift home as an invitation, a small part played with exactly the right amount of self-regard. Born in Grass Valley, California in 1974, he followed it with White Squall, Suicide Kings, Without Limits and the title role in the 1999 television film Jesus.

Six Feet Under is the performance that matters. As Billy Chenowith he plays a talented, mentally ill artist whose arrival in a scene makes everyone in it unsafe, including him. It is a difficult piece of writing to sustain across the show's run without turning into either a villain or a lesson, and Sisto keeps him a person throughout. Nothing since has asked for that much.

The 2000s were horror and independents, which suited him: Adam in May, Brady in Thirteen, Scott in Wrong Turn, Ben Miller in A Lot Like Love. He has an unusual quality for that period of American film, an amiability with something unreliable underneath it, and directors kept finding uses for it.

Then the procedurals took over. Detective Cyrus Lupo on Law & Order from 2008, George Altman on Suburgatory with a Critics' Choice nomination for the comedy work, and since 2018 Jubal Valentine on CBS's FBI. Alongside that, a steady voice career: King Runeard in Frozen II, Talon in Batman vs. Robin, Ferdinand's father, Larry on Rugrats.

Movies (40)

TV (16)

Where to start with Jeremy Sisto

Nothing else on his list touches Six Feet Under. Billy Chenowith is one of the best-written unstable characters in prestige television and Sisto never plays him for sympathy or for horror, just for truth.

Clueless is the fun one and takes ninety minutes. Elton is a perfect miniature of teenage entitlement.

For the middle period, Thirteen is the strongest film and May is the strangest, an indie horror in which he plays the ordinary guy. Robot & Frank is the gentlest thing on his list and easy to miss. The procedural years are Law & Order and now FBI, both perfectly good and both using roughly a tenth of the range Six Feet Under proved he had. Suburgatory is the one people forget, and he is genuinely charming in it.

Genres Jeremy Sisto works in