Joanna Merlin
Joanna Merlin is an actor, born 1931.
Joanna Merlin spent her working life on both sides of the audition table. She was an actress and a casting director, she taught in the graduate acting programme at New York University, and she wrote two books about the craft, which is a rarer combination than it sounds. Most people who cast do not perform, and most people who perform have never had to sit on the other side of hundreds of auditions for a single part.
The stage came first, and the peak of it was the original Broadway production of Fiddler on the Roof. She worked with Stephen Sondheim. Screen work started early, with Jethro's daughter in Cecil B. DeMille's The Ten Commandments in 1956, and then the credits listed here go quiet for the best part of twenty years before resuming in the 1970s and 1980s.
What she got, over and over, was the mother, the grandmother, the landlady, the neighbour: Mrs. Rosen in Baby It's You, Mrs. Arujo in Mystic Pizza, Grandma Shapiro in The Wackness, Estelle Ward in Class Action. From 2000 to 2011 she was Judge Lena Petrovsky on Law & Order: Special Victims Unit, presiding over a decade of the show with the exact unimpressed authority the part required and nothing more. Merlin, born in 1931, died in 2023.
Movies (15)
- The Ten Commandments (1956)
- City of Angels (1998)
- The Invasion (2007)
- Fame (1980)
- Prince of Darkness (1987)
- The Killing Fields (1984)
- Mystic Pizza (1988)
- Sarah's Key (2010)
- Baby It's You (1983)
- The Wackness (2008)
- Mr. Wonderful (1993)
- Witness Protection (1999)
- Class Action (1991)
- Two Bits (1995)
- Hester Street (1975)
TV (1)
Where to start with Joanna Merlin
The practical starting point is Law & Order: Special Victims Unit, since Judge Petrovsky recurs for years and Merlin is doing something specific with her: no warmth, no theatrics, only a judge who has heard everything and is deciding how much of it she believes.
For the films, Mystic Pizza is the pleasant one and Baby It's You is the good one, John Sayles at his most attentive to small-town class. Hester Street is the best film on her list, a black-and-white study of immigrant New York that takes its supporting cast seriously.
Then take the swerve. Prince of Darkness casts her as a bag lady in a John Carpenter horror picture, and The Ten Commandments shows you the very beginning. Sarah's Key is the late dramatic credit, and Class Action the courtroom one, which by then she could have done in her sleep.