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JoBeth Williams

JoBeth Williams is an actor, born 1948.

JoBeth Williams spent the early 1980s in an improbable number of films people still talk about. Born in Houston in 1948, she broke through with a handful of scenes in Kramer vs. Kramer in 1979, followed them with Meredith in Stir Crazy in 1980, and then landed the role that fixed her in place: Diane Freeling in Poltergeist in 1982.

That performance is worth being specific about, because it is the reason the film works. Williams plays the first act as a woman who likes her house, likes her children and finds the early disturbances funny, and she plays it loose and unguarded. Nothing about her suggests a horror heroine, so when the picture turns, the terror registers as an ordinary person's terror rather than a genre performance. Very few actors are willing to be that relaxed on camera before the screaming starts. She returned to the part in Poltergeist II: The Other Side in 1986.

1983 gave her two more: Karen Bowens in The Big Chill, where she is part of an ensemble of disappointed adults and gets some of the sharpest material, and Nurse Nancy Bauer in The Day After, a television film about nuclear war. She is a three-time Emmy nominee, for the television film Adam, the miniseries Baby M and a guest turn on Frasier.

After that she worked steadily rather than spectacularly: Teachers, Bessie Earp in Wyatt Earp, comedies like Stop! Or My Mom Will Shoot and Jungle 2 Jungle, the series The Client, and a long tail of parental roles in Fever Pitch, In the Land of Women, The Big Year and Private Practice.

Movies (27)

TV (11)

Where to start with JoBeth Williams

Everyone arrives through Poltergeist, and they should, but watch it for her rather than the effects. The performance is the load-bearing wall of the whole film, and the ordinariness she brings to the first half hour is what makes everything after it work.

Then The Big Chill, where she holds her own in a very crowded ensemble and gets the driest lines in it, and The Day After, which is not a pleasant watch but is one of the most consequential pieces of television of its decade. Kramer vs. Kramer shows how little screen time she needed to be noticed, and Stir Crazy is the loose comic register she rarely got asked for again. Teachers is the underseen one from her peak run. Poltergeist II: The Other Side is for completists, and The Big Year is the gentle late-career mode.

Genres JoBeth Williams works in