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Josh Lucas

Josh Lucas is an actor, born 1971.

Lucas has the face studios kept mistaking for a leading man's and the instincts of a character actor, and the tension between those two facts explains the whole career. He came up in the 1990s in small parts, got noticed in a run of hard, unglamorous independent films around the turn of the century, and was then handed the roles that pay: the romantic lead in Sweet Home Alabama, the disaster hero in Poseidon, the fighter pilot in Stealth.

The interesting work is the other half. He is superb as a smug obstacle, a man who is not evil but is entirely certain that he outranks you. Martin Hansen in A Beautiful Mind opens as a rival who condescends and then quietly becomes decent. Leo Beebe in Ford v Ferrari is a corporate operator who sabotages people with a smile and a memo. Ted Minton in The Lincoln Lawyer is a prosecutor who thinks the case is already won. Craig McDermott in American Psycho is a business card and a haircut. He is better at all of these than at anything a poster ever asked of him.

Away from the studio work he keeps returning to smaller films. Session 9 and The Deep End are the early clammy ones. Wonderland drops him into a squalid true-crime story with no glamour attached at all. Undertow, You Can Count on Me and What They Had are the quiet ones. Television has since given him steady work as the young John Dutton in Yellowstone, and in The Mysteries of Laura and Palm Royale.

Movies (53)

TV (13)

Where to start with Josh Lucas

Take Ford v Ferrari first and watch what he does with Leo Beebe. It is a supporting antagonist with no violence and no speeches, a man using process as a weapon, and Lucas makes him detestable without ever pushing.

For the good early material, The Deep End is a lean noir where he plays a genuinely unpleasant charmer, and Session 9 is the best horror film almost nobody saw. You Can Count on Me shows what he can do when a script has some interior life in it.

A Beautiful Mind is the mainstream credit worth revisiting, Wonderland the ugliest and most committed, and The Lincoln Lawyer a very enjoyable use of his smugness. Sweet Home Alabama is the popular one: a perfectly decent romantic comedy and the least interesting thing on this list.

The films people have seen

A Beautiful Mind is the best film he is in and Sweet Home Alabama is the one people quote. Ford v Ferrari gives him a memorably awful executive, which is the sort of part he has got better at with age.

The small films worth finding

The independent work is consistently better than the studio work and almost nobody watched it. Session 9 is a genuinely unsettling horror film shot in an abandoned asylum, and You Can Count on Me is the Kenneth Lonergan.

The television leads

Yellowstone gave him the young John Dutton, which uses exactly the thing he does: a handsome man you should not trust. The Lincoln Lawyer and Palm Royale are the other recent series work.

Genres Josh Lucas works in