Karin Konoval
Karin Konoval is an actor, born 1961.
Vancouver shoots a great deal of American genre film and television, and for thirty years Konoval has played its witches, crones, severe mothers and unsettling neighbours: Billy's mother in Black Christmas, the Wicked Witch in Tin Man, a crone in a television Snow White, Morbidda Destiny in The Baby-Sitters Club, plus doctors and store managers and teachers in whatever else was filming that month.
Running alongside all of that is Maurice. She played the orangutan in all three rebooted Planet of the Apes films through performance capture, which means the warmth audiences remember is entirely hers and none of it reaches them through her own face. Maurice is the moral centre of that trilogy: the character who is kind first, who teaches, who stays. Building that out of a body shaped nothing like yours, in a species not known for readable expressions, is a harder acting problem than most leading roles, and she solved it three times.
Television has given her the steadier work lately, with recurring parts as Dr. Pelton on Snowpiercer and Deena Petringa on The Good Doctor, alongside the lead role of Mary Leonard in Cable Beach. She is one of those actors a certain kind of viewer recognises instantly without ever having learned the name.
Movies (22)
- Dawn of the Planet of the Apes (2014)
- Rise of the Planet of the Apes (2011)
- War for the Planet of the Apes (2017)
- In the Blink of an Eye (2026)
- American Pie Presents: The Book of Love (2009)
- Diary of a Wimpy Kid (2010)
- Woody Woodpecker (2017)
- Scooby-Doo 2: Monsters Unleashed (2004)
- Step Up All In (2014)
- Black Christmas (2006)
- Snow White (2001)
- Alone in the Dark (2005)
- In the Land of Women (2007)
- Under Wraps (2021)
- Maternal Instinct (2017)
- The Christmas Secret (2014)
- R.L. Stine's Monsterville: The Cabinet of Souls (2015)
- The Tooth Fairy (2006)
- Seventeen and Missing (2007)
- FTL (2017)
- Circle of Deceit (1998)
- Signed, Sealed, Delivered: The Impossible Dream (2015)
TV (12)
Where to start with Karin Konoval
Rise of the Planet of the Apes, Dawn of the Planet of the Apes and War for the Planet of the Apes in order, watching Maurice specifically. The trilogy improves as it goes and so does he: an ally in the shelter in the first, a teacher in the second, and by the third the character the film keeps returning to whenever it needs something to hold on to.
Outside that the pleasures are smaller and mostly televisual. Snowpiercer gives her a doctor with an uncomfortable job and a lot of quiet. The Good Doctor is the network work, steady and unremarkable, and she is good in it.
For the horror end of the filmography, Black Christmas and Tin Man are where the crone typecasting lives, and The Baby-Sitters Club is the affectionate version of the same thing, with the neighbourhood witch played as the only adult in the show who is any fun.