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Kim Jong-soo

Kim Jong-soo is an actor, born 1964.

Kim Jong-soo spent two decades on stage before Korean cinema noticed him. He began in 1985, playing Alan in Equus, built a reputation in the theatre scene in Ulsan and served as president of the actors' association there. He was in his forties by the time he made his film debut, as Mr. Shin in Lee Chang-dong's Secret Sunshine in 2007. Almost everything on this page came afterwards.

Look at the character names and the speciality becomes obvious. Drilling Company Executive. Chicken Restaurant Owner. Security Chief. Government Official. Team Leader Choi. Minister Choi. Projectionist. Advertiser. Kim plays the man in the meeting, the functionary whose signature or refusal decides what happens to the people the film is actually about. In Tunnel he runs the drilling company brought in for the rescue. In Extreme Job he owns the restaurant. Korean commercial cinema runs on actors who can make a two-scene bureaucrat feel like a person with a mortgage, and he is one of the best of them.

Television gives him more room: Kim Soon in Kingdom, Kim Man-dong in Snowdrop, An Gi-dong in Vagabond, Hwang Ji-sung in Moving, Kim Bu-ryeon in Incomplete Life. And he has appeared in a remarkable share of the films that define the last fifteen years of Korean cinema, among them Nameless Gangster, Asura: The City of Madness, 1987: When the Day Comes, Kingmaker, Hunt, Smugglers and Hijack 1971. He is still working, with credits here dated 2026. Very few actors turn up in this many good films without ever being the reason anyone bought a ticket.

Movies (45)

TV (16)

Where to start with Kim Jong-soo

Kingdom is the entry point, and not only because it travels well. The series gives him a properly weighted role rather than a functional one, and its court scheming suits an actor who has spent a career playing men in rooms.

For film, 1987: When the Day Comes is the essential one, a dense historical drama about a cover-up coming apart, packed with exactly the institutional characters he specialises in. Pair it with Nameless Gangster, the other great Korean film about how corruption really gets conducted, which is to say over meals.

Then take the two moods. Extreme Job is a broad, extremely funny comedy that was an enormous hit at home. Hunt and Asura: The City of Madness are the hard ones, both brutal and both very good. Moving is the most purely enjoyable of the recent series, and Secret Sunshine is where all of it started, though be warned that it is a punishing watch.

Genres Kim Jong-soo works in