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Mark Ruffalo

Mark Ruffalo is an actor, born 1967.

Mark Ruffalo started in the late 1980s and spent close to a decade getting nowhere in particular. The break was theatre: Kenneth Lonergan's play This Is Our Youth in 1996, then Lonergan's film You Can Count on Me in 2000, where he plays a drifting younger brother turning up in his sister's life with no plan. Almost everything good he has done since is a variation on that man.

The quality is unfinishedness. Ruffalo mumbles, hesitates, changes direction mid-sentence and plays thinking rather than the results of thinking, which is why he is so effective as investigators: David Toschi in Zodiac, working a case that will not close, and Michael Rezendes in Spotlight, where the acting is mostly listening and taking notes. He has four Academy Award nominations for Best Supporting Actor, for The Kids Are All Right, Foxcatcher, Spotlight and Poor Things, which ties a record.

He also took over Bruce Banner in the Marvel Cinematic Universe and made the part work by playing him as a man managing a chronic medical condition rather than a curse, which no previous version had tried. On television he won a Screen Actors Guild Award for playing a gay activist in the film of The Normal Heart and a Primetime Emmy for a lead role in a miniseries, playing identical twins. He was Tony-nominated for the 2006 Broadway revival of Awake and Sing!, a reminder that the film career is the second one and that the stage is where he learned to do this.

Movies (65)

TV (10)

Where to start with Mark Ruffalo

You Can Count on Me is the correct start: a quiet film about a brother and a sister that nobody will recommend to you at a party. Everything he is good at is already in it.

Then Zodiac and Spotlight, the two procedurals that convert his hesitancy into an investigative tool rather than a tic. Foxcatcher contains the best pure acting of the four Oscar-nominated turns, most of it physical: he plays a wrestler and moves like one.

At the lighter end, 13 Going on 30 is a genuinely good romantic comedy and he is why it works, while Thor: Ragnarok finally located the comic register the Hulk material had needed for years. Poor Things is him doing something new this late on, a preening idiot played with no vanity at all. If you want the one with real anger in it, Dark Waters is a corporate legal drama he clearly cared about more than the box office did.

Ruffalo doing decency under strain

The through-line of the serious work: a man visibly holding something down. Spotlight is procedure and suppressed anger, Zodiac is obsession, Dark Waters is a decade of losing slowly, and Shutter Island keeps you unsure how much he knows.

Bruce Banner, and how much he smuggled in

A part that is mostly a special effect, played by someone who kept finding interiority in it anyway. The Avengers establishes the control problem, Ragnarok finally makes the comedy work, and Endgame resolves it in a way that should not land and does.

The warm and the weird Ruffalo

Between the prestige work and the franchise sits a genuinely charming actor. Eternal Sunshine and Begin Again are the gentle ones, 13 Going on 30 is the romantic comedy people forget he is in, and Poor Things is the funniest thing he has ever done.

Mark Ruffalo on CrossBinge

Genres Mark Ruffalo works in