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Mike Kellin

Mike Kellin is an actor, born 1922.

Kellin was a New York stage actor who treated screen work as the day job, and it shows in the best possible way: he never looks like he is performing for a camera. The theatre gave him the honours, an Obie for the original Off-Broadway run of American Buffalo and a Tony nomination for the musical Pipe Dream. Film and television gave him the steady money.

His face and voice were built for one specific American type: the tired functionary, the sergeant, the father who has run out of patience and money at the same moment. He is Sergeant McVey in At War with the Army as far back as 1950, Private Kolinsky in Hell Is for Heroes, Harry Purvis on the terrorised subway car of The Incident, a deputy commissioner in God Told Me To, a lieutenant in Freebie and the Bean. He worked constantly through the anthology and procedural era, in Naked City, Route 66, Johnny Staccato and Lost in Space, and he appears in the 1960 film The Wackiest Ship in the Army, whose television version later gave him a starring role as Chief Petty Officer Willie Miller.

The best thing he did on film came late. In Midnight Express he plays Mr. Hayes, a father visiting his son in a Turkish prison, and the scene is unbearable precisely because Kellin refuses to lift it into melodrama; he plays a man being polite in a room where politeness is useless. He was still working at the end. Sleepaway Camp came out in 1983, the year he died, and he is the camp owner, the only adult in the film with any warmth in him.

Movies (18)

TV (15)

Where to start with Mike Kellin

Midnight Express holds his best work, in a handful of scenes as a father sitting across a table from his son in a Turkish prison. See it first. It is a very quiet performance inside a very loud film.

Sleepaway Camp is the other reason people know the name, and Kellin gives that strange, cheap, genuinely unsettling horror film its only human ballast. Hell Is for Heroes is the best of the war pictures, The Incident the nastiest and most interesting of the ensemble thrillers, and The Boston Strangler shows him in procedural mode. For the light version, At War with the Army is early Martin and Lewis, with Kellin as one of the sergeants keeping the plot moving.

Genres Mike Kellin works in