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Mo Willems

Willems came to picture books from animation, and it shows in every line he draws. He wrote for Sesame Street, created The Off-Beats, and made Sheep in the Big City for Cartoon Network, a series whose jokes were aimed squarely over the heads of the children watching it. He voices two parts in it himself.

Then he took the animator's toolkit to the page. Don't Let the Pigeon Drive the Bus! is one gag with a perfect structure: the reader is left in charge, the Pigeon negotiates directly with them, and the book only fully exists when it is read out loud. The Elephant & Piggie books strip that further, down to two characters, speech balloons and white space, with the comic timing carried entirely by page turns. Almost nothing else in early-reader publishing trusts blank paper that much.

Knuffle Bunny is the outlier and the most personal of them, setting hand-drawn characters over photographs of real city streets. Willems is one of very few children's authors whose books adults volunteer to read twice in a row, and that is an achievement of design rather than of sentiment.

TV (3)

Books (21)

Where to start with Mo Willems

Don't Let the Pigeon Drive the Bus! first, and read it aloud or do not bother. The book exists in performance: the Pigeon asks the reader for things, the reader refuses, and a four-year-old discovers they have power over a story.

Today I Will Fly! (Elephant and Piggie) opens Elephant & Piggie, the better series for a child actually learning to read, and We Are in a Book! (Elephant & Piggie) is the peak of it, a book that notices it is a book without ever turning smug about it. There is a bird on your head! and Should I share my ice cream? are the funniest of the run.

Knuffle Bunny is what you hand an adult who thinks picture books are simple. And Sheep in the Big City is the pre-history: watch one episode and the timing in the books stops looking accidental.

The Pigeon books, which hand the child the power

One character, about six lines of ink, and an argument aimed directly at the reader. They work because the child gets to say no to someone and be right about it. Start with the bus, then the hot dog, which is the best-constructed joke of the lot.

Elephant and Piggie, for children learning to read

Two-hander comedies about friendship with the emotional literacy of much longer books, written in vocabulary a five-year-old can carry alone. We Are in a Book is the cleverest, My Friend Is Sad the kindest, and Should I Share My Ice Cream the one that hurts a little.

The Willems books that make parents cry

Knuffle Bunny is a photographic-collage trilogy about a toy, and by the third book it is plainly about a child growing up and away. Because is his quietest book. These are the ones adults end up reading more carefully than the child does.

Genres Mo Willems works in