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Morgan Freeman

Morgan Freeman is an actor, born 1937.

Morgan Freeman was fifty before Hollywood noticed him. Born in Memphis in 1937 and raised in Mississippi, he acted in school plays, studied theatre arts in Los Angeles and spent years on stage, winning an Obie for Coriolanus and appearing in Julius Caesar. A generation of American children knew him first from the 1970s educational series The Electric Company, which is a strange launchpad for the gravity he later traded on. The break was Street Smart in 1987, in which he plays a pimp with no charm whatsoever and which brought an Academy Award nomination for Best Supporting Actor.

What follows is one of the fastest late ascents anyone has managed: Glory, Lean on Me and Driving Miss Daisy all in 1989, the last bringing a Best Actor nomination, then Unforgiven opposite Clint Eastwood, then Se7en, then Red Redding in The Shawshank Redemption, a film that flopped and then quietly became the most watched thing he ever did. He won the Academy Award for Best Supporting Actor for Million Dollar Baby, and the honours arrived in a row after that: the Kennedy Center in 2008, the AFI Life Achievement Award in 2011, the Cecil B. DeMille Award in 2012, a Screen Actors Guild Life Achievement Award in 2018.

The voice became its own category, and it has cost him something. Directors worked out they could buy authority by the scene, so a good deal of his later filmography is the wise briefing officer in pictures with no other use for him. Worth remembering that the same instrument, properly used, gives you a detective in Se7en who is right about everything and takes no comfort from it at all.

Movies (102)

TV (22)

Where to start with Morgan Freeman

The Shawshank Redemption is where almost everyone starts and there is no sensible argument against it. Red is the warmest thing he has played, and the narration is a large part of why the film works.

Go to Se7en next for the opposite temperature. Somerset is exhausted, methodical and entirely without hope, and Freeman refuses to give him a single reassuring note. Unforgiven and Glory show what he does inside a genre picture, and Driving Miss Daisy is worth arguing with rather than dismissing, since his performance is considerably sharper than the film's reputation. Million Dollar Baby won him the Oscar and is, again, narration doing structural work.

For the late-period version, The Dark Knight is him lending a blockbuster credibility in about eleven minutes of screen time, and Bruce Almighty is him having visible fun with the typecasting he half created.

Freeman when the part actually deserves him

The narration became a punchline, which buries how precise the acting is when the writing holds up. Shawshank works because the voice and the face are doing different jobs. Se7en is him at his most weary, Million Dollar Baby won the Oscar, and Unforgiven gives him a friendship with real weight.

The blockbuster mentor roles, ranked by how much they ask

A whole late career of handing the hero equipment and explaining the plot, and he is rarely the weak part. Lucius Fox gets more to do across the Batman films than the writing suggests, and Now You See Me lets him be genuinely enjoyable as the sceptic.

The comedies and paycheques Freeman never sulked through

He has never treated an easy job as beneath him, which is why the light films still have something in them. Bruce Almighty casts him as God and he plays it amused rather than grand. The Bucket List is sentimental and he sells it, and The Lego Movie lets him send the whole persona up.

Morgan Freeman on CrossBinge

Genres Morgan Freeman works in