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Paul Rudd

Paul Rudd is an actor, born 1969.

Paul Rudd trained at the University of Kansas and the American Academy of Dramatic Arts and made his acting debut in 1991, a slightly formal start for a man who has spent most of his career improvising. Clueless in 1995 is where the screen persona appears fully formed: Josh, the stepbrother who is the only person in the film with a functioning conscience and who never gets a scene about it.

The trick he has run ever since is pleasantness with a crack running through it. Rudd plays men whose niceness is a strategy, and the comedy comes from watching the strategy strain. Brian Fantana in Anchorman has total unearned confidence. Pete in Knocked Up and This Is 40 is a man being reasonable at his wife while obviously in the wrong. I Love You, Man is built entirely on the awkwardness of somebody who has never previously had to be sincere.

Then Marvel made him a franchise lead in his mid-forties, which is not supposed to happen, and Ant-Man works precisely because it is the least self-serious corner of that universe and he is exactly the right size for it. The more interesting recent move is his willingness to be unlikeable: a repellent mercenary in Mute, a vain actor in Only Murders in the Building. He has a Critics' Choice Television Award and nominations at the Emmys, the Golden Globes and the Screen Actors Guild, and was named People magazine's Sexiest Man Alive in 2021, an honour that landed on a career built almost entirely out of self-deprecation.

Movies (70)

TV (26)

Where to start with Paul Rudd

Clueless still works and is the right first stop, because the whole later career is already legible in it. From there, Anchorman: The Legend of Ron Burgundy for the pure ensemble comedy and I Love You, Man for the one built around him, which is the best showcase of what he does with discomfort.

This Is 40 is the underrated dramatic entry, a comedy far bleaker about marriage than it advertises. Ant-Man is the blockbuster to pick, and the only one of the four that fully uses him.

Two curveballs: The Fundamentals of Caring is a small, decent film almost nobody saw, and Only Murders in the Building lets him play a genuinely awful man, a register he is surprisingly good in.

The comic leads

Rudd's best mode is exasperated decency, and I Love You Man is the purest version of it: a comedy about a man with no male friends that treats the problem seriously. Role Models is the funniest of them, and Wanderlust is the one where he is allowed to be genuinely strange.

The Apatow ensemble years

A decade of supporting parts in the same loose company of actors. He is rarely the lead in these and frequently the best thing in the scene. This Is 40 gives him the most to do, and Anchorman gives him the least while remaining the most quoted.

Ant-Man and the Marvel films

Marvel cast him at forty-six and turned a character actor into a franchise lead. The first Ant-Man is a heist film pretending to be a superhero film and is much the best of the three. His scenes in Civil War and Endgame are where the comic register earns its place.

The early roles and the odd ones

Rudd was already fully formed in Clueless at twenty-five, which is why that performance still plays. The Cider House Rules is the straight dramatic work, and the Halloween sequel is the early credit he gets asked about least.

Genres Paul Rudd works in