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Phil LaMarr

Phil LaMarr is an actor, born 1967.

Phil LaMarr, born in Los Angeles in 1967, has one of the strangest career shapes in American comedy: a face millions of people have seen exactly once, attached to a voice millions of people hear every week. The face belongs to Marvin in Pulp Fiction, a small part in the back of a car that has outlived most leading roles from 1994. The voice belongs to about a third of the cartoons made since.

He was one of the original featured cast members on Mad TV and stayed five seasons, which is where the range came from. Sketch performers learn to build a character out of one vocal decision, and he has been living off that discipline ever since. He is the title character in Samurai Jack, a performance made almost entirely of stillness and pauses, which is a strange thing to attempt with only a microphone. He is Hermes Conrad in Futurama, whose comedy runs on bureaucratic exasperation. In the DC Animated Universe he plays both John Stewart's Green Lantern and Virgil Hawkins, better known as Static, two very different registers of hero.

The rest is a long list of shows that defined children's television across three decades: Carver in The Weekenders, Bolbi in Jimmy Neutron, Wilt in Foster's Home for Imaginary Friends, Ollie Williams and Judge Blackman on Family Guy, plus heavy work across the Star Wars animated series and a substantial video game career. He is, in the most literal sense, one of the most heard actors alive.

Movies (90)

TV (111)

Where to start with Phil LaMarr

Samurai Jack is the showcase. A near-silent hero is close to impossible to voice, and what he does with the small amount of dialogue he gets is the best argument for his craft on the list. Watch a few episodes before anything else.

Futurama is the comic counterweight, and Hermes is the character the writers reach for when they need a joke about paperwork to land as an emotion. Justice League Unlimited gives him a lead superhero role with actual weight, and The Spectacular Spider-Man is the best-written of the Marvel cartoons he has been part of.

For the live-action anomaly, Pulp Fiction is one scene and everyone can quote it. INVINCIBLE and Star Wars: The Clone Wars cover the modern work, and Harley Quinn is where he sounds like he is enjoying himself most.

LaMarr doing dignity, which voice comedy rarely asks for

Samurai Jack is the definitive case: almost no dialogue, enormous stillness, and a character who reads as genuinely noble. Invincible and The Book of Boba Fett ask for the same weight, and Star Wars: The Clone Wars gives him a whole war to sound tired in.

The prime-time comedies where he is three people an episode

Futurama gives him Hermes and years to develop him, Family Guy uses him constantly without anyone noticing, and Drawn Together and Disenchantment sit at the ruder end. Once you know the voice you will hear it every week.

The live-action credit nobody expects

Marvin in Pulp Fiction is one scene long and everybody remembers it, which is a strange thing to have on the same resume as thirty years of animation. Step Brothers and Castle are the other on-camera work worth knowing about.

Genres Phil LaMarr works in