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Rod Rondeaux

Stunt work came first for Rod Rondeaux, and it shows in everything he does on camera. He is a Native American actor and stuntman whose stunt credits include the miniseries Comanche Moon and, with a certain irony, Reel Injun, a documentary about how the movies have drawn Native people. He moved into acting through the same westerns that needed riders who could genuinely ride.

The career that followed is a running argument about how Hollywood casts Indigenous actors. He appeared in the 2005 miniseries Into the West and took the lead in the 2015 film Mekko, so the capacity is not in question. But look at the credits he is best known for and the pattern is impossible to miss: in Meek's Cutoff, Kelly Reichardt's slow and superb Oregon Trail western, his character is credited only as The Indian. In Hostiles he is uncredited. In Woman Walks Ahead he is Indian Robber.

Rondeaux is good in all of them, watchful and physically exact in a way that survives a script handing him almost nothing to say. That is the useful thing to notice about his filmography: the performances are consistently better than the parts, and the parts are a fairly precise record of what the industry was willing to write.

Movies (6)

TV (1)

Where to start with Rod Rondeaux

Watch Meek's Cutoff before anything else. Reichardt strips the western down to water, dust and boredom, and Rondeaux's Cayuse man sits at the centre of the film's real question. The settlers cannot understand him and the audience is given no subtitles either, so he has to carry whole scenes on presence alone, which he does.

The English is the richest follow-up, a stylised revenge western that gives its Indigenous characters actual interiority and lets him play a US cavalry trooper rather than a symbol.

After those two, Hostiles and Woman Walks Ahead are worth the time for their period craft even where the parts are thin, and The Missing is the studio version, a Ron Howard frontier thriller with real menace in it. Crazy Horse is the oldest credit here and mostly of archival interest.

Genres Rod Rondeaux works in