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Timothy Olyphant

Timothy Olyphant is an actor, born 1968.

Timothy Olyphant was born in Honolulu in 1968 and arrived through the theatre, winning a Theatre World Award for his off-Broadway debut in The Monogamist in 1995 and originating David Sedaris's The Santaland Diaries the year after. Film promptly cast him as the man you should not trust: the dealer in Go, the smirking horror obsessive in Scream 2, a string of supporting heavies through Gone in Sixty Seconds and A Man Apart.

What he does better than almost anyone is stillness with a threat inside it. Olyphant plays men who have already decided how the conversation ends and are waiting politely for you to catch up. Seth Bullock in Deadwood is that at boiling point, a sheriff whose temper arrives about a second ahead of his judgement. Raylan Givens in Justified is the same instrument tuned to a lazier register, Kentucky courtesy laid over a drawn gun. Both rest on the same trick: he underplays the line and lets the hat, the posture and the pause carry it.

The comedy came later and was the surprise. Santa Clarita Diet turned him into a flailing suburban husband, The Grinder let him play a preening version of himself, and Once Upon a Time in Hollywood used the same handsomeness ironically, casting him as a television cowboy watching his genre fade out. He has since kept the western going in Justified: City Primeval and moved into prestige science fiction with Alien: Earth. The consistent finding is that he is funnier than his casting suggests and considerably better in a period piece than in a modern thriller.

Movies (40)

TV (19)

Where to start with Timothy Olyphant

Go to Justified first. It is the cleanest match between actor and part that anyone gets, six seasons of a Kentucky marshal who talks his way into more trouble than he shoots his way out of, and the pilot tells you within ten minutes whether the register works for you.

Deadwood is the better show and the harder start: denser language, uglier world, Olyphant playing rage barely held under a collar. Take it second, with Deadwood: The Movie as a coda. Santa Clarita Diet is the counterprogramming and proof that the same clenched intensity is hilarious when pointed at suburban problems. On film, Go shows the young villain he was typecast as, Once Upon a Time... in Hollywood gives him a handful of scenes he quietly walks off with, and Live Free or Die Hard is the big studio version, competent and forgettable. Save Justified: City Primeval until after the original run.

The two great television leads

Seth Bullock and Raylan Givens are two of the best-written men on American television and he plays both as barely-contained fury with excellent manners. Both got a late continuation, and Justified: City Primeval is the better of the two revivals.

The early villains

For the first decade he was cast almost exclusively as somebody charming and dangerous. Go is the one that still works best, a Doug Liman film built out of three overlapping bad nights, and he is the reason the whole thing has teeth.

Comedy and the late career

Santa Clarita Diet was the moment everyone realised he is a comic actor, and Tarantino, Laika and Gore Verbinski have all used the voice since. Alien: Earth is the recent prestige genre lead and he is playing a synthetic, which suits him.

Genres Timothy Olyphant works in