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Tony Todd

Tony Todd is an actor, born 1954.

Tony Todd's screen career began in serious pictures. He is in Platoon as one of Oliver Stone's grunts, in Bird, in Lean on Me, working steadily through the late 1980s. In 1990 he took the lead in Tom Savini's remake of Night of the Living Dead, and in 1992 Candyman handed him something rarer than a hit: a horror figure who belongs to the actor rather than to the makeup department.

The role works because of how he uses his voice. Candyman is courtly. He speaks in long unhurried lines, more seducer than monster, and the dread comes from the calm. Todd played him again in 1995, in 1999, and once more in Nia DaCosta's 2021 film, by which point he was the connective tissue of the whole thing. It brought him nominations at the Critics' Choice and Fangoria Chainsaw Awards.

The other franchise was William Bludworth in Final Destination: five appearances across twenty five years, usually two scenes at a time, explaining the rules to people who will not listen. He worked constantly outside horror as well, largely in voice, as Darkseid in the DC animated films, Zoom in The Flash, the Fallen in a Transformers picture, Dreadwing, Slyrak. Nobody in that field had a better instrument. Born in Washington, D.C. in 1954, he died in 2024, with a final Bludworth appearance released the year after.

Movies (59)

TV (17)

Where to start with Tony Todd

Candyman is the place to begin, and it is a better film than its reputation: a story about a folklore researcher in Chicago public housing that takes its own subject seriously. Todd arrives late and rearranges the entire thing with his voice.

Candyman from 2021 is the smartest of the sequels and worth pairing with it. Night of the Living Dead from 1990 is the one people forget, and he is genuinely good as Ben, holding a house together by argument.

If you only want to hear the instrument, The Man from Earth is a tiny film that is almost entirely conversation in a living room, and he is superb in it. Then Final Destination for Bludworth, Platoon and The Rock for the straight roles, and The Flash if you want to understand why he kept being cast as villains you hear before you see.

Candyman

The role, and one of the great horror performances. A genuinely tragic monster played with enormous dignity in a film about gentrification and myth, and he came back for the sequels and the 2021 revival.

Final Destination and the franchises

William Bludworth turns up across five films and never explains himself, which is exactly what the voice was for. Wishmaster is from the same stretch of nineties horror that kept casting him as the explanation.

Outside horror

The credits that show what else was there. Platoon is the prestige one, The Man from Earth is a tiny cult film built almost entirely from conversation, and Lean on Me is the early serious drama.

Genres Tony Todd works in