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Trevor Howard

Trevor Howard is an actor, born 1913.

Decency with something twitching underneath it: that was Trevor Howard's contribution to British film. Born Trevor Wallace Howard-Smith in Kent in 1913, he trained at RADA and worked on the London stage through the 1930s before Brief Encounter made him a star in 1945. BFI Screenonline described what he brought as a new kind of male lead for British cinema, steady, middle class and reassuring, but capable of suggesting neurosis under the tweed. Four years later he was Major Calloway in The Third Man, the tired professional who is right about everything and enjoys none of it.

The leading man phase was short. From the 1960s he became the character actor international productions reached for whenever they needed authority with a crack in it. He is Captain Bligh in the 1962 Mutiny on the Bounty, playing the role as a man convinced of his own reasonableness rather than as a monster. He is Lord Cardigan in The Charge of the Light Brigade, Father Collins in Ryan's Daughter, Richard Wagner in Ludwig, the Abbe Faria in The Count of Monte-Cristo, and a detective superintendent in Sidney Lumet's The Offence. He won a BAFTA for a leading performance and a Primetime Emmy for a television film.

The late work is a warning about being reliable. He turns up as the 1st Elder in Superman, Judge Broomfield in Gandhi, and in a long line of films that did not deserve him, including Meteor and Sword of the Valiant: The Legend of Sir Gawain and the Green Knight. He is good in almost all of them anyway. He died in 1988.

Movies (38)

TV (2)

Where to start with Trevor Howard

Brief Encounter first, and it is not close. Howard plays a decent married doctor in a film built entirely out of restraint, and everything he does is under the line: the small courtesies, the glance held a beat too long, the terrible politeness of two people deciding what kind of adults they are going to be.

Then The Third Man, where the same qualities are turned into authority. Calloway could have been an obstacle; Howard makes him the one man in Vienna doing his job properly, and the film needs that ballast.

For the character-actor decades, Mutiny on the Bounty is the great performance, a Bligh who genuinely believes he is being fair. The Offence is the hardest and least comfortable thing here, Ryan's Daughter the most humane, and The Charge of the Light Brigade the funniest, if you enjoy watching the officer class satirised by someone who can play it straight. Meteor is for completists only.

Genres Trevor Howard works in