Wayne Newton
Wayne Newton is an actor, born 1942.
The screen work is a sideline. Newton has performed in Las Vegas since 1958 and headlined there since 1963, which means every film on this list was made between stage engagements by a man whose actual job was a showroom. Hollywood hired the persona rather than the range, and often did so with no disguise at all: he is billed as Wayne Newton in Vegas Vacation, courting Ellen Griswold with the practised warmth of someone who has done this in front of an audience most nights of his adult life, and he plays himself again in Smokin' Aces and on According to Jim.
The exception, and the reason this page exists, is Licence to Kill. As Professor Joe Butcher, a televangelist whose meditation network fronts a drug operation, Newton delivers the smoothest possible reading of the smarmiest possible material. He does not send it up. He uses exactly the voice he would use to sell a ballad, aimed at a phone bank of donations, and the effect is unpleasant in the best way, because the audience recognises the technique.
The rest is what Vegas billing gets you. Julian Grendel in The Adventures of Ford Fairlane, Weldon in the fight sequel Best of the Best 2, August Gurino in Night of the Running Man, and Jackie Chrome in The Dark Backward, a comedy far stranger than anything else here. Television mostly wanted him as a guest of honour: a role on the Vegas-set detective series Vega$, appearances on Switch and The Amazing Race, a seat in the crowd for Roy Orbison's black and white concert film, and voice work as Jimmy 10-Strings in Hoodwinked Too!
Movies (11)
- Licence to Kill (1989)
- Smokin' Aces (2006)
- Hoodwinked Too! Hood VS. Evil (2011)
- Vegas Vacation (1997)
- Best of the Best 2 (1993)
- Who's Your Daddy? (2004)
- Joys (1976)
- The Adventures of Ford Fairlane (1990)
- Night of the Running Man (1995)
- Roy Orbison and Friends: A Black and White Night (1988)
- The Dark Backward (1991)
TV (4)
Where to start with Wayne Newton
Licence to Kill is the one to watch, and it is not a close call. Newton gets a handful of scenes as a televangelist fronting a cartel and plays them with the showroom voice intact, which lands harder than any attempt at menace would have.
After that the pleasure is watching him play the idea of himself. Vegas Vacation is the purest form, a cameo built entirely on what you already think about him, and Smokin' Aces drops the same man into a much meaner film without changing the suit. The Dark Backward is the genuine oddity, a grimy comedy where he turns up as a slick operator and looks perfectly at home in it.
For straight character work, The Adventures of Ford Fairlane and Best of the Best 2 are late-night cable fare with him enjoying himself in both. Vega$ is the period curiosity, since a Vegas private-eye show casting Wayne Newton is about as on the nose as television gets.