William Hopper
William Hopper is an actor, born 1915.
William Hopper was the only child of the stage comedian DeWolf Hopper and of Hedda Hopper, whose Hollywood column could end a career. He got work, a great deal of it, and almost none of it was worth having. Look at what the studios handed him in 1939 alone: a sergeant in Stagecoach, a party guest in Midnight, an interne in The Return of Doctor X, a reporter in Dust Be My Destiny. Most were uncredited. He is somewhere in The Maltese Falcon as a reporter and in Air Force as another sergeant. More than eighty features across the 1930s and 1940s, and almost no trace of him in any of them.
So he stopped. He joined the Navy, served through the Second World War, and did not go back to acting until William Wellman talked him into it in the 1950s. Wellman used him twice in 1954, in Track of the Cat and The High and the Mighty, and the second act turned out far better than the first: Judy's father in Rebel Without a Cause, Col. Kenneth Penmark in The Bad Seed, and Colonel Robert Calder in 20 Million Miles to Earth, the officer whose expedition to Venus brings something home with it.
Then Perry Mason arrived in 1957 and settled the question. As the private detective Paul Drake, Hopper spent the whole run doing the legwork that let Raymond Burr win in court, and it is the only role most people can name. A last, odd credit follows: an uncredited judge in Myra Breckinridge. He died in 1970.
Movies (15)
- Stagecoach (1939)
- The Maltese Falcon (1941)
- Rebel Without a Cause (1955)
- The Bad Seed (1956)
- Myra Breckinridge (1970)
- The High and the Mighty (1954)
- 20 Million Miles to Earth (1957)
- Air Force (1943)
- Track of the Cat (1954)
- The Return of Doctor X (1939)
- The Old Maid (1939)
- Brother Orchid (1940)
- Midnight (1939)
- Bullet Scars (1942)
- Dust Be My Destiny (1939)
TV (1)
Where to start with William Hopper
Perry Mason is the whole case for him. Paul Drake is the man who actually finds things out, and Hopper plays him with a light, faintly amused competence that keeps years of procedural formula watchable. Start anywhere in it.
For the films, take the two William Wellman pictures that brought him back: Track of the Cat, a snowbound family drama shot almost in monochrome despite the colour stock, and The High and the Mighty, the airliner-in-trouble picture that every disaster movie since has copied. The Bad Seed hands him the heaviest emotional load of his career as the father of a very unusual child.
Two more for different reasons. 20 Million Miles to Earth is a Ray Harryhausen creature film and he is its straight-arrow lead. Rebel Without a Cause gives him one short, uncomfortable scene as Judy's father that explains a great deal about her.