William L. Petersen
William L. Petersen is an actor, born 1953.
Michael Mann hired William L. Petersen twice, and the distance between the two jobs is his early career in miniature. In Thief, in 1981, he is a bartender. Five years later, in Manhunter, he is Will Graham, the profiler who hunts a serial killer with Hannibal Lecter's grudging help, in a film that arrived long before The Silence of the Lambs made that world a phenomenon. In between came To Live and Die in L.A., where he plays a Secret Service agent whose recklessness the film pointedly declines to admire.
That is a specific screen quality: competence curdling into appetite. Petersen was cast as men whose professionalism covered something considerably less controlled, and he was consistently better at it than the films around him were.
Then he spent a long stretch doing the opposite. Gil Grissom on CSI: Crime Scene Investigation, which ran from 2000 to 2015, is deliberate, soft-spoken and emotionally withheld, a scientist who plainly prefers evidence to people, and the show's enormous success rested at least as much on Petersen's stillness as on its autopsy tables. He won a Screen Actors Guild Award with the ensemble, was nominated for a Golden Globe, and picked up three further Emmy nominations as a producer of the series. He returned to Grissom for CSI: Vegas, which premiered in October 2021.
Born in Evanston, Illinois in 1953, he worked in theatre before film, and the stage discipline shows in how little he does on camera.
Movies (18)
- Fear (1996)
- Detachment (2011)
- 12 Angry Men (1997)
- Young Guns II (1990)
- To Live and Die in L.A. (1985)
- Thief (1981)
- Seeking a Friend for the End of the World (2012)
- Mulholland Falls (1996)
- The Skulls (2000)
- Cousins (1989)
- Passed Away (1992)
- The Contender (2000)
- The Rat Pack (1998)
- Kiss the Sky (1998)
- Haven (2001)
- Gunshy (1998)
- Long Gone (1987)
- Manhunter (1986)
TV (7)
Where to start with William L. Petersen
Manhunter first, without hesitation. Petersen plays an investigator whose method is to think like the man he is chasing, and the performance is all interiority: sweat, silence, a growing reluctance to keep going. It looks nothing like the franchise the material later became, and it is his best work.
Follow it with To Live and Die in L.A., the nastiest and most stylish thing on this page, then Thief for the bit part that started the association. CSI: Crime Scene Investigation is the reason most people know him, and the early seasons are the ones worth sampling, before the format hardened. CSI: Vegas is the return, aimed squarely at people who missed him. Among the character work, The Contender and 12 Angry Men give him the most to chew on, Young Guns II casts him as Pat Garrett, and Detachment is the bleak late-career supporting turn that suits his stillness.