Devil May Cry 4 (2008)
Devil May Cry 4 is a 2008 hack and slash/beat 'em up video game made by Capcom Production Studio 1 and Capcom.
In the city of Fortuna, a young demon hunter named Nero witnesses his idol Dante shoot the leader of the Order of the Sword at the altar and spends the game pursuing him for answers while also fighting a separate incursion of demons. Devil May Cry 4 introduces Nero's Devil Bringer, a glowing arm that can grab enemies, hurl them, and execute spectacular finishers, as the game's central mechanical hook. Dante becomes playable in the second half, cycling through his full arsenal of weapons and styles. The combat system is the series at its most expressive.
Quick answers
What is Devil May Cry 4 about?
In the city of Fortuna, a young demon hunter named Nero witnesses his idol Dante shoot the leader of the Order of the Sword at the altar and spends the game pursuing him for answers while also fighting a separate incursion of demons. Devil May Cry 4 introduces Nero's Devil Bringer, a glowing arm that can grab enemies, hurl them, and execute spectacular finishers, as the game's central mechanical hook. Dante becomes playable in the second half, cycling through his full arsenal of weapons and styles. The combat system is the series at its most expressive.
When was Devil May Cry 4 released?
Devil May Cry 4 was released on 31 January 2008.
Who made Devil May Cry 4?
Devil May Cry 4 was made by Capcom Production Studio 1 and Capcom.
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A few thoughts on Devil May Cry 4
Devil May Cry is the anime companion that covers Dante in his element, and its episodic demon-hunting structure mirrors the game's rhythm well. Devilman - Volume 2: Demon Bird shares the gothic demonology and the idea of someone with demonic power fighting to stay on the human side of a very sharp line.
The Devil May Cry universe and its closest demon-hunter cousins
Devil May Cry 4 splits its cast between Nero, a demon hunter who doesn't yet know his bloodline, and Dante, who's always known his. The Devil May Cry anime extends that world onto television, Devilman gives Go Nagai's half-demon hero the same identity crisis, Inuyasha builds a story around a half-demon belonging to neither side, and Saint Seiya arms its warriors with power drawn from the gods they fight.
Gothic metal theatrical enough for a cathedral full of demons
Devil May Cry 4 leans into gothic, theatrical excess with the Order of the Sword's religious pageantry and demons that look like stained glass come to life. Judas Priest's Painkiller matches that same operatic intensity, Cradle of Filth's IX Equilibrium wraps its extremity in orchestral drama, Savatage's The Spectre Within brings its own doom-laced theatrics, and Death's Leprosy proves the genre could carry real weight before it ever went symphonic.
Fantasy stories about a bloodline nobody warned you about
Nero's story raises real questions about where his power comes from, unanswered until deep into the game. Brisingr follows a young dragon rider working out what his lineage means, Wizard and Glass digs into Roland's family history and its weight on him, Tomie turns inherited horror into something that regenerates no matter how many times it's cut away, and Fullmetal Alchemist ties its brothers to a transgression neither fully understands.