Fight Club (1999)
Fight Club is a 1999 drama movie directed by David Fincher, with a running time of 2h 19m. It stars Edward Norton, Brad Pitt and Helena Bonham Carter.
A white-collar insomniac drifts through recall meetings and support groups he has no business attending, numb inside a life assembled from catalog furniture. Then he meets Tyler Durden, a soap salesman with a gospel of destruction, and the two start a bare-knuckle club in a bar basement where men beat the numbness out of each other. David Fincher directs Chuck Palahniuk's novel with grime, static, and a narrator you cannot trust. Edward Norton and Brad Pitt circle Helena Bonham Carter's Marla Singer, a chain-smoking wreck who sees through all of it.
Where to watch Fight Club
Stream: fuboTV
Rent: Amazon, AppleTV, Fandango at Home, Google Play
Buy: Fandango at Home, Google Play
Official site
Cast
- Edward Norton as Narrator
- Brad Pitt as Tyler Durden
- Helena Bonham Carter as Marla Singer
- Meat Loaf as Robert Paulson
- Jared Leto as Angel Face
- Zach Grenier as Richard Chesler (Regional Manager)
- Holt McCallany as The Mechanic
- Eion Bailey as Ricky
- Richmond Arquette as Intern at Hospital
- David Andrews as Thomas at Remaining Men Together
- George Maguire as Group Leader at Remaining Men Together
- Eugenie Bondurant as Weeping Woman - Onward and Upward
Similar movies
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A few thoughts on Fight Club
Play BioShock next; its descent into a wrecked underwater utopia hides a reveal about identity and control that rhymes with Tyler Durden's whole philosophy. For the sound, The Fat of the Land by The Prodigy channels the same snarling, big-beat aggression the film's Dust Brothers score runs on.
Underground movements that turn self-destruction into philosophy
Fight Club treats the group's bare-knuckle self-harm as a kind of doctrine, a way of feeling something between recall meetings and catalog furniture. Trainspotting frames heroin the same way, as a code its users half-believe in, Natural Born Killers turns spectacle violence into its own gleeful ideology, Crash fetishizes wreckage as a form of transcendence, and The Fat of the Land supplies the same snarling, industrial-strength rebellion on record.
Violent noir where masculinity turns feral
Fight Club lets its narrator's buried rage take over completely once Tyler starts throwing punches. A History of Violence tracks the same feral instinct resurfacing under a mild-mannered surface, Sin City and Sin City: A Dame to Kill For turn that violence into hard-boiled noir spectacle, and Starred Up locks it inside a prison where masculinity has nowhere else to go.