The Death of Superman
The Death of Superman is a crossover fiction title.
DC built this one to be unavoidable. Between December 1992 and October 1993, a single Superman story ran across six monthly comics, and anyone who wanted the whole arc had to buy all of them.
The title states the premise and the books play it straight, with Superman pushed well past the point where the usual solutions work. Editor Mike Carlin held the crossover together while Dan Jurgens, Roger Stern, Louise Simonson, Jerry Ordway and Karl Kesel each wrote from the title they already ran. The chapters moved through Superman, Action Comics, The Adventures of Superman, Superman: The Man of Steel, Justice League America and Green Lantern, so the escalation passes between writers and art teams rather than building under one hand, and the rhythm comes from the shipping schedule as much as from the script.
It arrived at the crest of the 1990s comics boom, when speculators bought hot issues by the stack and a superhero storyline could pull coverage from newspapers and television. That context is now part of the object. DC has reprinted the story many times since, in collections and anniversary editions, and the appeal holds on two levels: a Superman story built for maximum impact, and a snapshot of the industry at its loudest.
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A few thoughts on The Death of Superman
For the same story in motion, the 2019 animated The Death of Superman sticks close to the comics, while Superman: Doomsday (2007) compresses the arc into a single feature if the six-title sprawl sounds like work. All Star Superman approaches Superman's limits from the opposite direction, warm and unhurried where the crossover goes for scale, and it is the better film of the two.
The 1990s context has its own viewing list. Lois & Clark: The New Adventures of Superman premiered in 1993, alongside these issues, and shows how the character was being sold to a mass audience at the time. Superman: The Animated Series followed in 1996 with sharper craft. Readers drawn to the crossover format itself should try Final crisis, DC running the same line-wide machinery years later with a denser script.