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Selling England by the Pound is the fifth studio album by Genesis, released in October 1973 on Charisma Records. It reached number three on the UK Albums Chart and generated the band's first top-thirty UK single. The record's literary, place-rooted sensibility — and its title's pointed question about cultural commodification — draws listeners who respond to work that combines formal ambition with a distinctly English sense of identity and irony.

About Selling England by the Pound

Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released on 5 October 1973, by Charisma Records. The album was a commercial success in the United Kingdom, reaching No. 3 on the UK Albums Chart, but less so in the United States, peaking at No. 70 on the Billboard 200. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit on the UK singles chart.

From the Wikipedia article Selling_England_by_the_Pound, available under CC BY-SA.

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What should I watch after Selling England by the Pound?

Quadrophenia is the natural companion — it adapts a 1973 rock concept album by The Who and immerses you in the same era of British youth culture. Millions offers a lighter but equally English take on currency and moral imagination, set in the days before Britain switches to the Euro.

What books are like Selling England by the Pound?

In Search of Stones shares the album's deep sense of British landscape and history, tracing a journey through the country's ancient stone monuments. Breakfast at Sotheby's tackles the question the album's title raises — what does it mean to assign a price to something made with creative intent?

Why does Selling England by the Pound resonate so strongly with British listeners?

The album hit number three on the UK Albums Chart and produced Genesis's first top-thirty UK single, suggesting it captured something genuinely felt at home. Its title frames England itself as a commodity — touching a nerve about cultural identity and what gets lost when art meets commerce.

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