CrossBinge
Finding 41.241 movie posters in the basement

Kenyu Horiuchi

Kenyu Horiuchi is an actor, born 1957.

Horiuchi, born in Gotemba in 1957, has two careers running in parallel. One is anime, where this catalogue alone holds more than 170 credits. The other is dubbing, where he is the standing Japanese voice of Brad Pitt, whom he finally met at the Japanese premiere of Bullet Train, along with Charlie Sheen, Ben Stiller, Ben Affleck, Brendan Fraser and John Stamos, the last of those as Jesse Katsopolis in Full House. Japanese dub work is a career in itself and he has one of the biggest.

The instrument is a low, unhurried voice with a smile somewhere inside it, and the roles that use it best are men who never raise their volume because they have never needed to. Pain in Naruto Shippuden is delivered as doctrine rather than threat, which is what makes it frightening. Wilhelm van Astrea in Re:ZERO carries decades of grief under a soldier's flat courtesy. En in Dorohedoro is a crime boss who sounds bored. Gren in Cowboy Bebop, a single-arc role in a series full of them, is quiet and wounded and lands the whole character inside a single two-part story.

He set up his own management office, Kenyu Office, in 2002. The range is wider than the type suggests: Kinemon in One Piece is comic bluster, Dr. Franxx in DARLING in the FRANXX is a cackling grotesque, and he also narrates Pokemon, which means a generation has heard him without ever knowing his name.

Movies (63)

TV (103)

Where to start with Kenyu Horiuchi

The efficient introduction is Cowboy Bebop. Gren appears in two episodes and the performance does more with them than most voice roles manage in a season, and the series around it is the best-looking thing on this list.

If you want the signature, go to Naruto Shippūden, where Pain is the calmest voice in a very loud show, then Re:ZERO -Starting Life in Another World- for the same restraint applied to grief rather than power. Dorohedoro is the fun one, a filthy, funny series where he plays the boss of everything with total indifference. For the comic end try One Piece, for the ridiculous end DARLING in the FRANXX, and if you just want to hear the voice working at full stretch across a feature, Redline is a hand-drawn racing film that never stops moving.

The major antagonists

The register he is hired for most: calm, articulate and entirely certain he is right. Pain in Naruto Shippuden is the most quoted, and the villain monologues in that arc are largely his doing.

The long-running shonen

Decades of work in the biggest ongoing series in the medium, usually turning up as a figure of authority the young cast has to get past. Kinemon in One Piece is the largest of these.

The mentors and older men

As his voice aged the casting shifted toward teachers, fathers and men with a great deal behind them. Wilhelm in Re:Zero is the best written of these and Gren in Cowboy Bebop is the most haunting.

The eighties and nineties credits

Where the career starts, in the cyberpunk and mecha of the OVA boom. Bubblegum Crisis and Gundam ZZ are the period pieces, and Samurai Pizza Cats is the one Western viewers stumbled into by accident.

Genres Kenyu Horiuchi works in