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Sam Worthington

Sam Worthington is an actor, born 1976.

Sam Worthington was already an established Australian actor when Hollywood found him, and that earlier career was better than the blockbusters suggest. Bootmen in 2000 and Somersault in 2004 established him as a bruised, naturalistic lead, and the Australian industry handed him its highest acting award three times. Love My Way did the same job on television.

Avatar made him the lead of the highest grossing film ever made and then, oddly, did not make him a star. Jake Sully is a functional protagonist, a body for the audience to occupy, and the performance is deliberately unshowy in a film where everything else is spectacle. The run that followed, Terminator Salvation, Clash of the Titans and Wrath of the Titans, cast him as a generic action hero, which is the one thing he is not especially good at. Those films needed swagger and he does not have any.

What he does have is exhaustion. Give him a man at the end of his rope and the flat delivery becomes an asset: the guide in Everest, the captain in Hacksaw Ridge who has to send boys up a cliff, the young agent in The Debt, the profiler in Manhunt. The Avatar sequels have now kept him employed on a single character for the better part of two decades, and the more interesting Worthington has been working in the gaps between them.

Movies (47)

TV (5)

Where to start with Sam Worthington

Somersault first, if you can find it. It is the film that made him in Australia, quiet and unglamorous, and it shows an actor with far more interiority than the American career has asked for.

Then Avatar, which you have probably seen, and which rewards revisiting for how carefully it is built around a lead who never oversells a line. From there, go to the supporting work: Hacksaw Ridge holds his best straight dramatic scenes, Everest uses his flat calm exactly right, and The Debt gives him the closest thing to a thriller lead that actually suits him. Skip Clash of the Titans unless you want to see what a studio decided he should be.

The Avatar films

Three films and counting as Jake Sully, two of which are among the highest-grossing ever made. The performance is entirely motion capture from the second act onward, which is a strange way to build a career.

The Australian films

The work that got him noticed, and better than most of what followed. Somersault won him the Australian Film Institute award and remains the best performance on his record by a distance.

The blockbusters

The years immediately after Avatar, when he was cast as the lead in everything and most of it did not work. Clash of the Titans and its sequel are the clearest examples of the problem.

The dramatic work

Where he is most convincing, generally in a supporting part with a specific job to do. Hacksaw Ridge and Under the Banner of Heaven are the two worth seeking out.

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Genres Sam Worthington works in