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Tom Holland

Tom Holland is an actor, born 1996.

Tom Holland's career began at nine, in a dancing class. A choreographer noticed him and arranged an audition for Billy Elliot the Musical at London's Victoria Palace Theatre; after two years of training he took a supporting part in 2008, was upgraded to the title role later that year, and played it until 2010. His film debut was the disaster drama The Impossible (2012). He has since won a BAFTA Award and three Saturn Awards, and appeared on the Forbes 30 Under 30 Europe list in 2019.

The dance training is why his Spider-Man reads differently from the others. He moves like someone who knows exactly where his weight is, so the physical comedy lands and the action has a shape to it rather than being handed entirely to animators. Just as important, he was cast young enough to play Peter Parker as an actual teenager. Across Captain America: Civil War, three solo films and two Avengers films, the consistent note is that he is the only person in those movies who sounds frightened, and the franchise leans on that more with each entry.

Outside the suit the record is mixed and more interesting than the box office suggests. Lucas in The Impossible is still his best straight dramatic work, and he was a teenager when he did it. Arvin in The Devil All the Time is the darkest thing he has attempted and mostly succeeds. The Lost City of Z is the most restrained. Cherry and Chaos Walking are clear misfires, and Uncharted drops him into a franchise built for someone a decade older. The interesting stretch of his career is probably still ahead of him.

Movies (27)

TV (3)

Where to start with Tom Holland

The Impossible before any Spider-Man. He was a teenager, the film is harrowing, and it is the clearest evidence that the casting was not a fluke.

Then Spider-Man: Homecoming, which is the best of the solo films because it is the smallest: a school story with a suit in it, where the stakes are a homecoming dance and a man with wings. Captain America: Civil War is his first appearance and still one of his best scenes, and Spider-Man: No Way Home is the fan-service peak, more enjoyable if you have seen the older films it is talking to.

For the non-franchise actor, The Devil All the Time is the bleak one and The Lost City of Z the quietly beautiful one. Onward is a genuinely good Pixar performance, and Uncharted is the misfire worth knowing about before you queue it up.

Spider-Man

Six years and six films as the character, and the argument for him is that he plays the teenager rather than the superhero. Homecoming is the best of the solo films and No Way Home is the biggest by a very wide margin.

The dramatic work

The Impossible is still the best thing he has done, at sixteen, opposite Naomi Watts. The Devil All the Time and Cherry are the deliberate swings away from the franchise, and both are more interesting than they are successful.

The other films

The studio work outside Marvel, which has been uneven. Onward is the best of them, and Locke is the outlier: a voice-only part in a film that is one man driving a car for ninety minutes.

Tom Holland on CrossBinge

Genres Tom Holland works in