Ranked by rating across the catalog.
Some series earn their place by building a world you keep returning to. This set crosses continents — a Cantonese family sitcom, a 1978 Brazilian soap comedy, a Thai office rivals-to-lovers drama, a multigenerational Hong Kong magazine company, a Bangladeshi city-life comedy, a coastal caravan-park thriller — united by confident premises and characters whose contradictions sustain them. Die Oord, Bachelor Point, Enemies With Benefits: different settings, the same pull.
Series
Kang's Family
A Cantonese sitcom built around the comedic friction between migrant wives and local husbands.
Series
Te Contei?
Sabrina hides a compulsion to steal from her wealthy family while living a double life at a Rio boarding house.
Series
Enemies With Benefits
Rivals at work, reluctant partners after hours — a friends-with-benefits pact between two corporate opposites strains every boundary.
Series
Off Pedder
Office politics at a magazine company tangle with romance and family, with most of the cast from its predecessor.
Series
Bachelor Point
Four young men from different districts of Bangladesh navigate independent city life in Dhaka, finding comedy in every obstacle.
Series
Family Squad
A multigenerational police family whose modest, self-doubting patriarch stumbles through career setbacks with warmth and dry humor.
Series
Die Oord
An idyllic coastal caravan park shatters when a body washes ashore, pulling generations of families into something darker.
Series
Chasing Love
A food researcher's no-strings arrangement unravels when the other party asks for something he wasn't prepared to give.
Die Oord is an easy entry point — its coastal caravan-park setup turns dark quickly and the premise is immediately clear. Bachelor Point works equally well if you'd rather start with character-driven comedy.
Each one commits to a clear premise and a defined world — whether that's the double life hiding in plain sight in Te Contei? or feuding department heads forced into a secret arrangement in Enemies With Benefits. The characters' contradictions, not the plots, are what sustain them.
Yes — Enemies With Benefits centers on the Head of Sales and Head of Accounting, rivals who end up in a secret friends-with-benefits pact. Off Pedder follows office politics and romantic relationships inside a magazine company, using the workplace as the stage for most of its drama.