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Michael Caine

Michael Caine is an actor, born 1933.

Michael Caine was born Maurice Micklewhite in Rotherhithe in 1933 and kept the South London accent, which in the British cinema of the period was close to a career-limiting decision. He broke it open by doing the opposite of what was expected: his first big part, in Zulu in 1964, is a posh lieutenant. Then came the run that defined him, the reluctant spy of The Ipcress File, the title role in Alfie, which brought his first Academy Award nomination, and the thief in The Italian Job.

The specific thing he does is stillness plus contempt. Caine underplays, keeps the voice level and lets the other actor use up all the air in the room. Sleuth in 1972 is the pure form of it, two men and a house, and it earned a second Oscar nomination; thirty-five years later he made the film again in the other part. Educating Rita won him a BAFTA and a Golden Globe, and Hannah and Her Sisters brought the Academy Award for Best Supporting Actor.

He also took nearly everything he was offered, which is why the filmography contains Jaws: The Revenge alongside the great work, and he has never once pretended otherwise. The last act is the best-managed of any actor of his generation: repeated work for Christopher Nolan, including Alfred in the Batman films and the melancholy old men of The Prestige and Interstellar. He is one of only five male actors nominated for acting Oscars across five different decades, holds a BAFTA Fellowship, was knighted in 2000, and has now retired after more than 130 films.

Movies (126)

TV (8)

Where to start with Michael Caine

Sleuth first. Two actors, one house and a great deal of cruelty, with Caine spending the film being underestimated on purpose, which is the thing he does better than anyone.

Then the 1960s: Zulu for the accent he is not using and The Italian Job for the one he is. The Man Who Would Be King is the best adventure film he ever made and is badly under-seen now.

For the comedies, Dirty Rotten Scoundrels is him at his most elegant, and The Muppet Christmas Carol is, without irony, one of the two or three best screen Scrooges, because he plays the whole thing straight opposite felt. Hannah and Her Sisters won him the Oscar and uses a small, embarrassed register he rarely got to touch.

Late Caine: Children of Men for the loosest performance of his old age, The Prestige for the film's actual moral centre, and Harry Brown if you want to see him angry.

Caine and Christopher Nolan, the long partnership

Nolan cast him in nearly every film from Batman Begins onward, usually as the person who explains the rules and means it. Alfred gives the Batman films their emotional floor, and The Prestige uses him as the professional who knows exactly how the trick works.

The Caine films worth the reputation

Past the franchises there is a shelf of genuinely good work, often small and often British. Children of Men gives him a hippie in a wood and he steals the film in ten minutes. Youth is the late, reflective one, and Going in Style is him enjoying himself with friends.

Caine in family films, entirely unbothered

He has never treated a paycheque film as beneath him, which is why the light ones still have something in them. Talking gnomes, cartoon cars and a spy comedy played completely straight. Put any of it on with children and he is still the most watchable thing in frame.

Michael Caine on CrossBinge

Genres Michael Caine works in