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Superman (2025)

Superman (2025)

Superman (2025)

Superman is a 2025 science fiction movie directed by James Gunn, with a running time of 2h 10m. It stars David Corenswet, Rachel Brosnahan and Nicholas Hoult.

James Gunn reboots the DC universe with a Superman already on the job, less an origin than a portrait of the man under strain. David Corenswet's Clark Kent works the Metropolis beat by day and answers the world's crises by cape, until an intervention abroad hands Lex Luthor the opening he wants. Nicholas Hoult's Luthor turns public opinion against the alien in their midst, and Superman has to win people back with help from Lois, his colleagues and a super-powered dog. Rachel Brosnahan and Nathan Fillion round out the cast. Gunn plays it warm and bright, betting that sincerity still sells.

Quick answers

What is Superman about?

James Gunn reboots the DC universe with a Superman already on the job, less an origin than a portrait of the man under strain. David Corenswet's Clark Kent works the Metropolis beat by day and answers the world's crises by cape, until an intervention abroad hands Lex Luthor the opening he wants. Nicholas Hoult's Luthor turns public opinion against the alien in their midst, and Superman has to win people back with help from Lois, his colleagues and a super-powered dog. Rachel Brosnahan and Nathan Fillion round out the cast. Gunn plays it warm and bright, betting that sincerity still sells.

When was Superman released?

Superman was released on 9 July 2025.

How long is Superman?

Superman runs 2h 10m.

Who made Superman?

Superman was directed by James Gunn.

Where can I watch Superman?

Superman is available on HBO (Via Hulu), HBO Max, MAX (Via Amazon Prime), Prime Video, YouTube TV and AppleTV.

Where to watch Superman

Stream: HBO (Via Hulu), HBO Max, MAX (Via Amazon Prime), Prime Video, YouTube TV

Rent: AppleTV, Fandango at Home

Buy: Amazon, Fandango at Home

Official site

https://www.supermanmovie.com/

Cast

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Superman in our writing

A few thoughts on Superman

Smallville spends ten seasons on Clark Kent becoming Superman, the small-town years this film skips. For a darker DC counterweight, The Dark Knight Returns imagines an aging Batman in a world that has turned on its heroes. All-Star Superman remains the comic that best captures this kindly, godlike Clark.

Superman on screen across the decades

This Superman reboot is the character's latest big-screen turn, and other stories keep returning to the same Kryptonian myth from new angles. Superman (1978) set the earnest template Gunn revives, Man of Steel took a grimmer approach, Smallville spent a decade on Clark's teenage years, and All-Star Superman distilled the myth into one essential comic. Supergirl carries a Kryptonian cousin's story into the same new universe.

Heroes the public turns on because of one bad narrative

Superman's Metropolis turns against him the moment Lex Luthor controls the narrative, and that same fear of the alien among us plays out elsewhere. Black Adam comes back to a world that brands him a villain before it understands him, X-Men: Days of Future Past shows mutants hunted once public fear wins, Captain Marvel fights her own fabricated history before anyone trusts her, and Eternals makes an entire world reconsider its protectors from scratch.

Games that cast you as the last defense against a coming disaster

Superman spends this film absorbing hits meant for all of Metropolis, the last line of defense the city doesn't always appreciate. Half-Life and Half-Life 2 cast Gordon Freeman the same way, one scientist standing between an invasion and collapse. Mass Effect 2 hands Shepard humanity's survival outright, and Breath of the Wild and Batman: Arkham Asylum put an overpowered hero alone against a city already under threat.

Big-scale sci-fi spectacle about first contact and public fear of the unknown

Superman's central tension is a Kryptonian being trusted by a public that fears what he represents, a fear this genre keeps returning to. War of the Worlds and Disclosure Day imagine that same panic when contact turns hostile or simply undeniable, Project Hail Mary and Interstellar treat first contact and cosmic scale as reasons for hope instead, and Avatar: Fire and Ash keeps pushing the scope of alien worlds even further.